Lars van den Brink

Cadini di Misurina, Italian dolomites (Tre Cime di Lavaredo)

2020

Torri de Vajolet - Italian dolomites ( East Trentino) The series of works depict an in-between land in which man must find his way, with an ode to nature in the background that co...

Oeschinensee - Swiss Alpes (Berner Alpen) The series of works depict an in-between land in which man must find his way, with an ode to nature in the background that compels us to ...

Alone Together XVI, 2019 - Hong Kong Since 2016, Roufanis has been creating high-resolution images of urban landscapes that offer the viewer an intimate look into the lives of the c...

Alone Together XII, 2019 - Miami Since 2016, Roufanis has been creating high-resolution images of urban landscapes that offer the viewer an intimate look into the lives of the city’...

Alone Together XV - Hong Kong, 2022 The complexity of modern life and the silence that you can find in chaos form the basis of Roufani’s work. Your personal space, which can sometim...

In Chinese, the Persian Silk tree or Mimosa (Albizia julibrissin) is called: Hé Huân Huà. The ‘Materia Medica’ describes the bark (Hé Huân Pi) to not only ...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series Story Lines Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Billionaires' Row skyscrapers shimmer in a rich golden light with later afternoon rainbow. The warm colors of the Central Park South skyline are offset by the vibrant green of the great lawn. It acts as a counterpoint to the buildings. At the end of the rainbow lies a lot of golden buildings. This is one of the most appropriate places for a rainbow to end. The pot of gold...

A familiar scene to all New Yorkers and millions of tourists is pictured in a way that none see with their own eyes in person. This luminous image of the Billionaires Row skyline is ...

Moody Manhattan. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Color Photogr...

Listing includes framing with UV plexiglas (a $1,500 value) and a 14-day return policy. Shipping charged at a discounted rate worldwide via white glove delivery service. Please inquire if you would like to purchase an unframed print for a reduced rate. Available for local pick up at our Los Angeles gallery. Jim Krantz Epic Western III, 2019 40 x 68 inch chromogenic print Edition 3 of 5 Signed on signature label. Artist Biography - Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

Listing includes free shipping for unframed prints in the continental U.S. and a 14 day return policy. Jim Krantz Epic Western No. 38, 2020 40 x 60 inch chromogenic print Edition 5 of 7 Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...