C Print Landscape Photography
to
118
521
243
38
20
71
Overall Width
to
Overall Height
to
149
744
148
893
5
378
314
197
224
212
191
142
130
85
81
73
71
64
59
47
38
36
31
28
27
27
27
27
893
889
885
853
762
893
552
283
163
131
50
148
892
1
Style: Contemporary
Medium: C Print
Artist: Stefanie Schneider
Dodgers Stadium, Echo Park - Polaroid, Landscape, 20th Century, Contemporary
Located in Morongo Valley, CA
Dodgers Stadium, Echo Park (Stranger than Paradise) - 1999
50x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Certificate and Signature label....
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sisyphus (The Girl behind the White Picket fence) - Polaroid
Located in Morongo Valley, CA
Sisyphus (The Girl behind the White Picket fence) - 2016
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
A Dream Play (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
A Dream Play (Strange Love) - 2005
20x20cm, Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 612...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hollywood (Instantdreams) - 21st Century, Polaroid, Color
Located in Morongo Valley, CA
Hollywood (Instantdreams) - 1998
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Certificate and signature label.
Artist inventory...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
29 Palms, CA - Analog, mounted, Polaroid, 20th Century, Contemporary, Landscape
Located in Morongo Valley, CA
29 Palms, CA - 1999
58x56cm,
Edition of 10,
analog C-Print, hand-printed by the Artist based on the Polaroid.
artist inventory number: 636.04.
Mounted on Aluminum with matte UV-...
Category
1990s Contemporary C Print Landscape Photography
Materials
Metal
29 Palms Oasis (29 Palms, CA) - including the book 'A Half Forgotten Dream'
Located in Morongo Valley, CA
29 Palms Oasis (29 Palms, CA) - 2013
Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024.
20x24c...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Gasoline IIb (Stranger than Paradise) - Polaroid
Located in Morongo Valley, CA
Gasoline IIb (Stranger than Paradise) - 2008
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #270b
Not mounte...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Revisions (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Revisions. (Deconstructivism) - 2020
- about the narrative potential of images.
20x24cm,
Edition of 10,
Archival C-Print, based on the Polaroid,
Artist Inventory 15714.
Signatur...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
It's Going to Be OK (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
It's Going to Be OK (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23890.
Signature l...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wonder Valley (Till Death Do Us Part) - Contemporary, Polaroid
Located in Morongo Valley, CA
Wonder Valley (Till Death Do Us Part) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Art...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Magic Hour (Musica Poetica)
Located in Morongo Valley, CA
Magic Hour (Musica Poetica) - 1999
Edition 3/10,
44x59cm.
Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid.
Certificat...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
4 Corners I (Last Picture Show) Stefanie Schneider
Located in Morongo Valley, CA
"4 Corners I" (Last Picture Show) - 2005
58x57cm,
Edition of 5.
Analog C-Print, hand-printed and enlarged by the artist on Archive Fuji Chrystal Paper,
based on a Polaroid,
Not m...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (The Last Picture Show) - 21st Century, Polaroid, Contempoary
Located in Morongo Valley, CA
Untitled (The Last Picture Show), 2005
38x36cm,
Edition 2/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on the original SX-70 Polaroid.
Inventory No. 781.02.
Signature label and Certificate.
Not mounted.
LIFE’S A DREAM
(The Personal World of Stefanie Schneider) by Mark Gisbourne
Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time.
The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure.
The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure.
From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke.
Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Chicken Ballet (Chicks and Chicks) - Polaroid
Located in Morongo Valley, CA
Chicken Ballet (Chicks and Chicks) - 2016
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventor...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Silence Void (Stay) - Polaroid
Located in Morongo Valley, CA
Silence Void (Stay) - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2116.
Not mounted.
Stefanie...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid
Located in Morongo Valley, CA
Coney Island (Stay) - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 2266
Not mounted.
Stefanie Sch...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Downtown LA - 21st century, Contemporary, Polaroid
Located in Morongo Valley, CA
Downtown LA (Stranger than Paradise) - 2005,
40x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label. ...
Category
21st Century and Contemporary Contemporary C Print Landscape Photography
Materials
Archival Paper, C Print, Color, Polaroid
Dusk (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Dusk (Deconstructivism) - 2015
- about the narrative potential of images.
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signatur...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sunny Empire (Strange Love) - Polaroid, New York, Empire State Building
Located in Morongo Valley, CA
Sunny (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 6151.
No...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Silver Bullet (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Silver Bullet (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23475.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Phone Call (The Last Picture Show) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
Phone Call (The Last Picture Show) - 2000
20x20m,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Frozen IV (Last Picture Show)
Located in Morongo Valley, CA
Frozen IV (Last Picture Show) - 2001
20 x 20 cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Seagulls (Zuma Beach) - Polaroid
Located in Morongo Valley, CA
Seagulls (Zuma Beach) - 2008
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #501
Not mounted.
Stefanie Sch...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Sherry's Place (29 Palms, CA) - 21st Century, Polaroid, Contemporary, Landscape
Located in Morongo Valley, CA
Sherry's Place (29 Palms, CA) - 2007
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and certificate.
Artist Inventory 4527...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Fountain Head (Stay) - Polaroid
Located in Morongo Valley, CA
Fountain Head (Stay) - 2008
featuring Ryan Gosling
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 5204
Not...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Driving (Strange Love) - New York, Landscape, Cityscape, Color,
Located in Morongo Valley, CA
Driving (Strange Love)
2003, 30x96cm, Edition of 10,
digital C-Print, based on a 35mm analog Negative strip,
signature label and certificate,
artist Inventory No. 30004.
Not mount...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color
Mindscreen 03 - Contemporary, analog, vintage print, mounted
Located in Morongo Valley, CA
Mindscreen 03 - 1999
Edition 1/5.
126x126cm including the white frame.
Analog C-Print, hand-printed by the artist, based on a Polaroid.
Signed on the back with Certificate.
Artis...
Category
1990s Contemporary C Print Landscape Photography
Materials
Metal
Henry Watching Athena Dance (Stay) - featuring Ryan Gosling - Polaroid
Located in Morongo Valley, CA
Henry Watching Athena Dance (Stay) - featuring Ryan Gosling - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inve...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Henry and Athena - Henry's Memory Sequence (Stay) - Polaroid
Located in Morongo Valley, CA
Henry and Athena - Henry's Memory Sequence (Stay) - 2006
featuring Ryan Gosling and Elizabeth Reaser
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Childhood Memories (Stay) - featuring Ryan Gosling- Polaroid
Located in Morongo Valley, CA
Childhood Memories (Stay) - 2006 - featuring Ryan Gosling- Polaroid
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inv...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
The Farmer and his Wife (American Depression)
Located in Morongo Valley, CA
The Farmer and his Wife (American Depression) - 2004
48 x 46 cm,
Edition of 10 plus two artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and Certificate.
A...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Frozen XII (Stranger than Paradise)
Located in Morongo Valley, CA
Frozen XII (Stranger than Paradise) - 2001
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Invent...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Springs Palm Trees (Californication) - Polaroid
Located in Morongo Valley, CA
Palm Springs Palm Trees (Californication) - 2023
50x49cm.
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist I...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Getaway (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
The Getaway (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23256.
Signature label and...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Cloudy Empire (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
Cloudy Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 6...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Salton Sea Pelican (California Badlands)
Located in Morongo Valley, CA
'Salton Sea Pelican' (California Badlands) - 2016
20x24cm,
Edition of 10,
Archival C-Print, based on the Polaroid
Certificate and Signature label
artist Inventory Nr. 19388.18
Not...
Category
2010s Contemporary C Print Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Wonder Valley (29 Palms, CA) - analog, mounted, installation, music, video, text
Located in Morongo Valley, CA
Wonder Valley (29 Palms, CA) - 2008
125x154cm,
Edition of 5,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on the Polaroid, artist inventory nu...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Metal
Plane Mirage (Stranger than Paradise)
Located in Morongo Valley, CA
Plane Mirage - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4645.
Not mounted...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dream Scene on Salt Lake - analog hand-print, Polaroid, Figurative
Located in Morongo Valley, CA
Dream Scene on Salt Lake - 2007
from the 29 Palms, CA project
125x156cm, Edition 3/5
Analog C-Print, hand-printed by the artist, based on an original Polaroid.
Artist Inventory #96...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
$7,192 Sale Price
20% Off
Sudden Urge (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Sudden Urge (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 809.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wastelands - Polaroid, Expired. Contemporary, Color
Located in Morongo Valley, CA
Wastelands, 2003
Edition of 1/10, 38x37cm,
digital C-Print, based on a Polaroid.
Signature label and Certificate.
Artist Inventory No 864.01
Not mounted.
Offered is a piece from th...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Blue Pill to forget (Burned) - Polaroid
Located in Morongo Valley, CA
The Blue Pill to forget (Burned) - 2008
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Invent...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Suburbia - analog, mounted, 6 pieces - Polaroid, Contemporary
Located in Morongo Valley, CA
Suburbia (Suburbia) - 2004
Edition of 5,
60x80cm each, 200x170cm installed.
6 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on 6 o...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Metal
$7,000 Sale Price
50% Off
'Bates Motel' part 2 - Contemporary, Neon, Urban, expired, Polaroid, analog
Located in Morongo Valley, CA
'Bates Motel' part 2 (The Last Picture Show) - 2005,
38x36cm, Edition 2/5.
Analog C-Print, hand-printed by the artist on Fuji crystal archive paper, matte finish,
based on a Polar...
Category
2010s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Tree at Night (Last Picture Show)
Located in Morongo Valley, CA
Tree at Night (Last Picture Show) - 2003
Edition of 5,
38x36cm,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on a Polaroid, Artist inventory Numb...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sam featuring Ewan McGregor (Stay) - Polaroid
Located in Morongo Valley, CA
featuring Ewan McGregor (Stay) 2008
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 5248
Not mounted.
Ste...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Big Boy (Stay) - Polaroid
Located in Morongo Valley, CA
Big Boy (Stay) - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 2266
Not mounted.
Stefanie Schneide...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Plane Mirage (Stranger than Paradise)
Located in Morongo Valley, CA
Plane Mirage (Stranger than Paradise) - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inven...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Mindscreen 7 - Contemporary, 21st Century, Polaroid, Los Angeles, Night
Located in Morongo Valley, CA
Mindscreen 7,
1999, 58x56cm, Edition 3/10.
Analog C-Print, hand-printed by the artist, based on an expired Polaroid.
Signature label and Certificate.
Artist Inventory No. 248.03.
No...
Category
1990s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dashboard Memories (The Girl behind the White Picket Fence) - Polaroid
Located in Morongo Valley, CA
Dashboard Memories (The Girl behind the White Picket Fence) - 2016
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signatur...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Hans finds Oxana’s Stage (Stage of Consciousness) - starring Udo Kier
Located in Morongo Valley, CA
Hans finds Oxana’s Stage (Stage of Consciousness), 2007, 93x75cm,
Edition 2/5, analog C-Print, printed by the artist on Fuji archive Paper,
mounted on Aluminum with matte UV-Protecti...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Metal
Père Lachaise (Paris) - analog, Contemporary, Women, Portrait
Located in Morongo Valley, CA
Père Lachaise - 1995
Edition of 5, plus 2 Artist Proofs.
60x50cm including white borders.
Analog C-Print, hand-printed by the artist and based on the original Polaroid,
Signatu...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Showboat (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Showboat (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 22875.
Signature label and Ce...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Oh Darling! (Oxana's 30th Birthday) - expired Polaroid photography
Located in Morongo Valley, CA
Oh Darling! (Oxana's 30th Birthday) - 2005
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Arti...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Transient - the Picker's Wife (American Depression) - Polaroid
Located in Morongo Valley, CA
Transient - the Picker's Wife (American Depression) - 2016
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Sentience (Chicks and Chicks and sometimes Cocks) - Polaroid
Located in Morongo Valley, CA
Sentience (Chicks and Chicks and sometimes Cocks) - 2016
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Untitled (Oilfields) - Polaroid
Located in Morongo Valley, CA
Untitled (Oilfields) - 2016
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #1197
Not mo...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
'Her last Call III' (The Girl behind the White Picket Fence) - Polaroid
Located in Morongo Valley, CA
'Her last Call III' (The Girl behind the White Picket Fence) - 2008
20x24cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inv...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
The Ocean (The Princess and her Lover), analog, mounted
Located in Morongo Valley, CA
The Ocean (The Princess and her Lover) - 2009
Edition 1/5,
60x80cm
Analog C-Print based, printed by the artist and based on the Polaroid,
Mounted on Aluminum with matte UV-Protec...
Category
Early 2000s Contemporary C Print Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
C Print landscape photography for sale on 1stDibs.
Find a wide variety of authentic C Print landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Massimo Listri, Kirsten Thys van den Audenaerde, and Richard Heeps. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large C Print landscape photography, so small editions measuring 0.4 inches across are also available
Recently Viewed
View AllMore Ways To Browse
Mount Rainier Painting
Mt Hood Painting
Nastassja Kinski
Nautical Oil Seascape Antique
Nellie Knopf
North Korea Painting
Oil Painting Heron Bird
Oil Painting Turkish Artists
Oil Painting Vancouver
Oil Paintings By Kenyon
Old Florida Art
Olivier Foss
Oregon Coast Oil Painting
Original Art 20x30
Original Hitler
Original Poster Daude
Orthodox Altar
Osmar Schindler