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Style: Contemporary
Medium: Plastic
City Landcuts - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
City Landcuts - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
City Landcuts Assemblage - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival pigment print under acrylic glass.
Numbered & signed by the artist.
9x 24x24 inches.
Can be diversely assembled.
If square, total of 72x72 inches (add 2 or 3 inches in be...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Tuquoise 14
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Tuquoise 12
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Turquoise 2
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
French Contemporary Photo by B. Paget - Singapore " Electric Mosquito "
Located in Paris, IDF
Photographic paper incrusted in DIASEC plexiglass
Edition 1/5
DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Paper
French Contemporary Photo by B. Paget - Singapore Marina Bay from the Flyer #3
Located in Paris, IDF
Photographic paper incrusted in DIASEC plexiglass
Edition 2/5
DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Paper
"Peelers" Nantucket Island Photography / Slurpee Waves
Located in Greenwich, CT
Peeles
Limited edition 1 of 9
32 x 72 in.
Pigment print face mounted to plexi
Acquired from artists studio
Nantucket island photography by Jonathan Nimerfroh...
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
Plexiglass, Pigment
Calm
Located in New York, NY
This is an aerial photography that was not manipulated or color corrected.
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
C Print, Plexiglass
Red boat
Located in New York, NY
This is an aerial photography that was not manipulated or color corrected.
This image can be custom size.
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
C Print, Plexiglass
3 red parasols
Located in New York, NY
Flying with his own plane, one hand of the wheel and the other with his camera, Klaus shoots these amazing aerials. None have been manipulated or color corrected.
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
C Print, Plexiglass
White Boat
Located in New York, NY
Flying with his own plane, one hand of the wheel and the other with his camera, Klaus shoots these amazing aerials. None have been manipulated or color corrected.
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
C Print, Plexiglass
Beach Break Bliss / Nantucket Island Photography / Slurpee Waves
Located in Greenwich, CT
Beach Break Bliss
Limited edition of 19
30 x 45 in.
Pigment print face mounted to plexi
Acquired from artists studio
Nantucket island photography ...
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
Plexiglass, Pigment
Au Soleil
Located in New York, NY
Christophe Pouget started his artistic career in 2008, when he created his first photographic assemblages. Focused on the affective relationship of time and space, his latest works a...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Sea Cave / Nantucket Island Photography / Slurpee Waves
Located in Greenwich, CT
Sea Cave
Limited edition of 19
30 x 45 in.
Pigment print face mounted to plexi
Acquired from artists studio
Nantucket island photography by Jonathan Nimerfroh...
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
Plexiglass, Pigment
Moonlanding - Ltd Ed
By Dinesh Boaz
Located in New York, NY
Shot from a helicopter. Mounted on plexiglass\. Floats in white frame.
About the Artist
Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our invol...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
HeartandSol Ltd Ed
By Dinesh Boaz
Located in New York, NY
Shot from a helicopter. Mounted on plexiglass. Floats in white frame.
About the Artist
Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our involv...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Flat Iron II
By Tom Leighton
Located in Boca Raton, FL
Diasec mounted photo - face mounted to plexi with sintra backing
Also available in 48 x 48 inches.
Tom Leighton’s works are an exploration of environments, both natural and construc...
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Paper
Plage 106 - 21st Century, Contemporary, Beach Landscape Photography
By Marc Harrold
Located in Barcelona, Catalonia
C-print mounted on Plexiglass
Edition of 30
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
Plexiglass, C Print
Plage 80 - 21st Century, Contemporary, Beach Landscape Photography
By Marc Harrold
Located in Barcelona, Catalonia
C-print mounted on Plexiglass
Edition of 30
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
Plexiglass, C Print
Plage 81 - 21st Century, Contemporary, Beach Landscape Photography
By Marc Harrold
Located in Barcelona, Catalonia
C-print mounted on Plexiglass
Edition of 30
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
Plexiglass, C Print
Caribbean Sea, Aerials
Located in New York City, NY
Sergio Ranalli
Caribbean Sea, Aerials, 2017
60 x 82 inches
Edition of 5
Archival Pigment Print
Unframed
Ask us for framing options.
Also available in:
30 x 40 inches - Edition ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Caribbean Sea, Aerials
Located in New York City, NY
Sergio Ranalli
Caribbean Sea, Aerials, 2017
44 x 60 inches
Edition of 10
Archival Pigment Print
Unframed
Ask us for framing options.
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #11, Canastra (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #11, Canastra (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #13, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #13, Heliodora (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #8, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #8, Heliodora (Color Abstract Photography)
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #6, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #6, Heliodora (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #5, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #5, Heliodora (Color Abstract Photography)
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #4 (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #4
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #1, Joaquina
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #1, Joaquina
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Rainforest, Brazil
Located in New York City, NY
Rodrigo Katayama
Rainforest, Brazil, 2018
41 x 27.5 inches
Edition of 13
60 x 40 inches
Edition of 9
71 x 48 inches
Edition of 5
Archival Pigment Print
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Vietnam 4 - Black and White Photography - Plexiglas
Located in New York City, NY
Edition of 5
Alexandre Manuel explores the natural tension between absence and presence, the man and his place in nature and between the evolution of the landscape and the permanenc...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Archival Pigment, Plexiglass
Caribbean Sea I
Located in New York City, NY
Edition of 10
Unframed
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
"Vase of Flowers Blue" After Jan Davidsz. de Heem Tulips photograph
Located in Brooklyn, NY
Claire Clarkson's "Vase of Flowers Blue" After Jan Davidsz. de Heem is from a series of photographs exploring the replication of the cyanotype photographic...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Paper
"Red Empire" Empire State Building Photograph Art Deco
Located in Brooklyn, NY
Claire Clarkson's "Red Empire" is from a series of photographs exploring the replication of the antiquated photographic and printing process through modern technologies. Her works of...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Paper
"Red Chrysler" Building Photograph Art Deco
Located in Brooklyn, NY
Claire Clarkson's "Red Chrysler" is from a series of photographs exploring the replication of the antiquated photographic and printing process through modern technologies. Her works ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Paper
"Blue Empire" Empire State Building Photograph Art Deco
Located in Brooklyn, NY
Claire Clarkson's "Blue Empire" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Paper
"Blue Ivy II" Foliage leaves photograph
Located in Brooklyn, NY
Claire Clarkson's "Blue Ivy II" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. H...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Paper
"Blue Ivy" foliage leaves photograph
Located in Brooklyn, NY
Claire Clarkson's "Blue Ivy" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. Her ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Paper
RANDOM IMPRESSION, W 10th St, New York, 2014 by Claudia Fauth
Located in Berlin, DE
2 photographs inside an iluminated plexi glass box, it gives a three dimensional impression. This box is one of a kind, It comes directly from the studio of the artist.
Height 18.26 in ( 46,4 cm ), Width 13.38 in ( 34,0 cm ), Depth 2.36 in ( 6 cm )
Claudia Fauth a true Berlin artist who is celebrating the spirit of a traveler. She has created something consistently unique in style and appreciation. She is an award winning artist, born in Berlin, Germany 1962. She is known for her abstract works, and installations. Her works are in public collections in Austria, Belgium, Canada, England, Germany, Italy, France, Japan, Mexico, Switzerland, Poland, Spain and the US.
Selection of exhibitions:
° 2014 Von der Avantgarde zur Moderne, Berlin
The Original Miami Beach Antique...
Category
21st Century and Contemporary Contemporary Plastic Landscape Photography
Materials
Plexiglass, Photographic Film, Photogravure
Clouds 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 16
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 13
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 2
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 14
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 9
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 8
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 7
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 2
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Tuquoise 13
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Tuquoise 11
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Tuquoise 10
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Turquoise 9
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Turquoise 5
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Turquoise 6
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Landscape Photography
Materials
Plexiglass, Archival Pigment
Plastic landscape photography for sale on 1stDibs.
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