Mauricio Velez

Untitled III and Untitled I. Abstract rocks landscape color photographs

2019

Delirio Exótico #14 by Paloma Castello From Exotic Delirium series Photographic print on cotton paper Collage Image size: 19.6 in. H x 13.5 in. W. Frame size: 32 in. H x 28.5 in. W. ...

Delirio Exótico #7 by Paloma Castello From Exotic Delirium series Collage Photographic print on cotton paper Edition : 3/5 + 1AP Castello's “Exotic Delirium” series pays tribute to...

Delirio Exótico #1 by Paloma Castello From Exotic Delirium series Collage Photographic print on cotton paper Edition : 3/5 + 1AP Castello's “Exotic Delirium” series pays tribute to...

Delirio Exótico #5 by Paloma Castello From Exotic Delirium series Collage Photographic print on cotton paper Edition : 3/5 + 1AP Castello's “Exotic Delirium” series pays tribute to...

South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown presents a sublime scene. A calm river cuts through the green grass field, leading to a tree in the distance. White fluffy clouds fill the bright blue sky. The prairie field is painted with a soft glowing light, creating a tranquil scene. South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown is listed as a 16 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25 and is signed and numbered in black ink on print margin. South Texas: Cash Creek is from Peter Brown's series, Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Edition of 6 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 31 x 36 in. Image: 24 x 30 in...

The Day the Dam Collapses is the new detailed yet quietly poetic series from the California-based Japanese photographer. Working for the first time with digital capture, Watanabe col...

Archival pigment print Signed and numbered, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) From the series, "The Secret Lives of Buildings" This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Marc Yankus’ dreamlike portraits of New York City buildings straddle a fine line between documentary and fiction. In "The Secret Lives of Buildings," he captures the city’s architecture in an uncanny moment of stillness, free from the frenzy of people and cars...