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Mitchell Funk
Cable Cars in Front of Bay Bridge at Dawn San Francisco

1998

$5,500
£4,116.46
€4,766.60
CA$7,644.10
A$8,609.84
CHF 4,458.73
MX$104,563.11
NOK 56,636.15
SEK 53,724.17
DKK 35,565.38
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About the Item

Cable Cars on Nob Hill against peach sky. Signed, dated and numbered 3/15 unframed, printed later, Mitchell Funk is a "Color Photographer Pioneer". He was color when color wasn't considered art. His early color work anticipates developments in color photography by generations. In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur". 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color ! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek and Life Magazine among others.

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Cable Cars in Front of Bay Bridge at Dawn San Francisco
By Mitchell Funk
Located in Miami, FL
Cable Cars on Nob Hill against peach sky. Signed, dated and numbered 3/15 unframed, printed later, , Printed on Hahnemühle Fine Art paper Mitchell Funk is a "Color Photographer Pio...
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Cable Cars in Front of Bay Bridge at Dawn San Francisco.
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Shipping should be around $100 - Cable Cars on Nob Hill against a peach sky. Signed, dated and numbered 3/15 unframed, printed later, other sizes available, Printed on Hahnemühle Fi...
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San Francisco Cable Cars Landscape against Bay Bridge
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Compositional exactitude and magical gold lighting describe this iconic work of San Franscico This image is signed, dated and numbered 2/15 lower right recto. . The work is unframed ...
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San Francisco Cable Cars against Bay Bridge
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Compositional exactitude and magical gold lighting describe this iconic work of San Franscico Signed , dated lower right, Edition 2 /15 Printed later, unframed, other size available...
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San Francisco Cable Cars Landscape against Bay Bridge, Urban Photography
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San Francisco Cable Car at Sunset - Golden Haze
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The quintessential symbol of San Francisco is small in the picture frame but still is the central focus of the composition. Mitchell Funk's photograph of a Cable Car is as unexpecte...
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