Mitchell Funk

New York Skyline Phenomenon Photograph

Striking image of lone Lion set against a dramatic colorful sunset of the animals domain. Signed, dated, numbered lower right, recto 3/15, unframed, other sizes available , printed l...

Shipping should be around $100 - Mitchell Funk is a "Color Photographer Pioneer". He was color when color wasn't considered art. Signed, dated, numbered lower right, recto 2/15, unf...

Shipping should be around $100 - Signed, dated, numbered, 3/15, unframed, printed later, other sizes available. Mitchell Funk is a pioneer of " Color Photography" In 1970 he partici...

Shipping should be around $100 - Cable Cars on Nob Hill against a peach sky. Signed, dated and numbered 3/15 unframed, printed later, other sizes available, Printed on Hahnemühle Fi...

Paper size - 20 by 28 inches Image size - 16 by 24 inches In addition to photographing fine art projects, Landon photographs for commercial and editorial clients around the wo...

Photograph, 2016. Ultra HD, printed on Fuji Crystal DP I II. 1 of 30 prints behind acrylic glass. Framed. Signed, titled, dated and numbered on the back. It comes directly from the s...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Arti...

Sunburned GSP#871 (Great Salt Lake, Utah), 2015 Gelatin Silver Paper Negative Unique 12" x 20" (30.5 x 51 cm) Framed: 15 5/16" x 23 15/16" (39 x 59 cm) Chris McCaw builds his own large-format cameras and outfits them with powerful lenses typically used for military surveillance and aerial reconnaissance. Instead of film, McCaw inserts expired fiber-based gelatin silver photo paper directly into the camera. Pointing the lens at the sun, McCaw makes recordings ranging from thirty seconds to as long as 36 hours. The sun, intensified by the lens, scorches its path across the paper while creating a solarized image of the landscape or seascape below – a “direct positive” image made in-camera, without an intervening negative. These burned lines and holes are tangible traces of the act of making each photograph: marking time, recording location, mapping weather conditions and channeling light.