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Myoung Ho Lee
Tree...#6

2013

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East River
By Sze Tsung Leong
Located in New York, NY
Sze Tsung Leong's series of color photographs, Horizons, depicts expansive views of a broad spectrum of environments throughout the world. The locations of the images may be distant ...
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21st Century and Contemporary Contemporary Landscape Photography

Tenth Avenue, New York
By Sze Tsung Leong
Located in New York, NY
Sze Tsung Leong's series of color photographs, Horizons, depicts expansive views of a broad spectrum of environments throughout the world. The locations of the images may be distant ...
Splitting #2 (Salton City and Brisbane Valley)
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Located in New York, NY
Mark Ruwedel's photographs of abandoned houses, temporary shelters and unfinished housing developments in the American Southwest, reduce the “home” to the most basic of shelters, isolated by wasteland. In the tradition of the New Topographics...
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21st Century and Contemporary Landscape Photography

Inside the Arcadia Old-age home, Observatory
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Located in New York, NY
Created over the past eight years, "Kin" confronts issues of colonization, racial diversity and economic disparity in Hugo's homeland of South Africa. Through landscapes, portraits a...
Category

21st Century and Contemporary Color Photography

Materials

C Print

Untitled, Liberia
By Tim Hetherington
Located in New York, NY
Image: Abandoned hospital. Tubmanberg, Domi County. Tim Hetherington photographed the experience of war from the perspective of the individual. During the Liberian Civil War, Hethe...
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21st Century and Contemporary Color Photography

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C Print

Sunburned GSP#871 (Great Salt Lake, Utah)
By Chris McCaw
Located in New York, NY
Sunburned GSP#871 (Great Salt Lake, Utah), 2015 Gelatin Silver Paper Negative Unique 12" x 20" (30.5 x 51 cm) Framed: 15 5/16" x 23 15/16" (39 x 59 cm) Chris McCaw builds his own large-format cameras and outfits them with powerful lenses typically used for military surveillance and aerial reconnaissance. Instead of film, McCaw inserts expired fiber-based gelatin silver photo paper directly into the camera. Pointing the lens at the sun, McCaw makes recordings ranging from thirty seconds to as long as 36 hours. The sun, intensified by the lens, scorches its path across the paper while creating a solarized image of the landscape or seascape below – a “direct positive” image made in-camera, without an intervening negative. These burned lines and holes are tangible traces of the act of making each photograph: marking time, recording location, mapping weather conditions and channeling light.
Category

2010s Landscape Photography

Materials

Silver Gelatin, Photographic Paper

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