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Stefanie Schneider
The Farmer's Wife's Dream - diptych, analog, based on two Polaroids

2004

About the Item

The Farmer's Wife's Dream (American Depression), diptych - 2004 featuring Radha Mitchell 58x57cm each, 58x122cm installed including an 8cm gap in between both pieces. Edition of 10, plus 2 Artist Proofs. 2 analog C-Prints, hand-printed by the artist, based on the 2 original Polaroids. Signature Label and Certificate. Artist Inventory Number 578. Not mounted. A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' The first to use expired Polaroid film as their medium and in doing so inspired the resurrection of Polaroid film itself. Saving the last production line in the world from it's impending destruction in 2008. Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider. (Barnebys UK, May 3, 2017)

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