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Stefanie SchneiderMoving Underpass East River (Stay) - Polaroid, 21st Century, Contemporary, Color2006
2006
About the Item
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Moving Underpass East River (Stay) - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on a Polaroid.
Signature label and Certificate.
Artist Inventory # 2225.
Not mounted.
In an age of instant gratification and digital perfection, Stefanie Schneider has built a world on delay, distortion, and desert light. Working from her remote outpost in California’s high desert, she conjures images that feel both distant and intimately familiar—cinematic echoes of memory, longing, and time itself. Her process is rooted in solitude, but the reach of her work is global. With exhibitions spanning Los Angeles, Paris, Zurich, Berlin, London, and Sydney, Schneider’s vision travels far beyond the dust roads that lead to her studio.
At the heart of her art is expired Polaroid film—unpredictable, unstable, and, in Schneider’s hands, transcendent. She embraces the material’s fragility not as limitation but as philosophy. Every chemical bloom, every color shift is a trace of time, an artifact of impermanence. Her images are never merely photographs; they are emotional atmospheres—unfinished stories suspended between past and present, dream and documentation.
Schneider's world is populated by wanderers, lovers, outcasts, and ghosts. They appear and disappear in sun-bleached motels, on endless highways, and in the golden-hour hush of nowhere towns. These figures, often recurring like characters in a film only she knows the full script to, reflect us back to ourselves. Her work is a mirror—cracked, maybe, but deeply revealing.
That such intimacy is born from such isolation is part of her magic. Schneider’s hyperlocal production, anchored in the quiet extremity of the desert, defies geography. The emotional resonance of her imagery has no borders. Her art circulates in the most prestigious galleries and collections around the world, yet it never loses its handmade pulse, its dusty tenderness, its invitation to pause.
In Stefanie Schneider’s work, time does not move forward—it pools, loops, lingers. And in that suspended moment, we find not just a photograph, but a feeling. A memory we didn’t know we had. A dream we forgot we were dreaming.
Welcome to the mirage.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2006
- Dimensions:Height: 7.88 in (20 cm)Width: 7.88 in (20 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652316300362
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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