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Stefanie SchneiderUntitled (Traintracks) - based on a Polaroid2004
2004
$800
£594.71
€696.21
CA$1,118.78
A$1,249.23
CHF 651.63
MX$15,361.20
NOK 8,224.44
SEK 7,743.02
DKK 5,193.74
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About the Item
Untitled (Traintracks) - The last Picture Show - 2004
38x37cm.
Edition of 5, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory No. 1051.
Not mounted.
LIFE’S A DREAM
(The Personal World of Stefanie Schneider)
Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time.
Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure.
From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2004
- Dimensions:Height: 14.97 in (38 cm)Width: 14.57 in (37 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652315474262
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004,
38x37cm. Edition of 5, plus 2 Artist Proofs.
Digital C-Print, based on a Polaroid.
Signature label and Certificate.
Artist...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Traintracks) - based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004
38x37cm.
Edition of 5, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Arti...
Category
Early 2000s Contemporary Abstract Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Traintracks) - based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004
38x37cm.
Edition of 5, plus 2 Artist Proofs.
Digital C-Print, based on the Polaroid.
Signature label and Certificate.
Artis...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Traintracks) - based on the Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004
38x37cm.
Edition of 5, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Arti...
Category
Early 2000s Contemporary Abstract Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
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Untitled (Traintracks) - based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004,
38x37cm. Edition of 5, plus 2 Artist Proofs.
Digital C-Print, based on a Polaroid.
Signature label and Certificate.
Artist...
Category
Early 2000s Contemporary Abstract Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
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