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Stefanie Schneider
Untitled (Traintracks) - based on a Polaroid

2004

About the Item

Untitled (Traintracks) - The last Picture Show - 2004 38x37cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1063. Not mounted. Stefanie Schneider – Untitled (Traintracks) (The Last Picture Show, 2004) A fleeting moment, a quiet in-between—Stefanie Schneider stands before the train tracks, wrapped in the soft glow of expired Polaroid film. Dressed in a plain negligee, she is neither performing nor posing but existing in that ambiguous space between awareness and reverie. Her hand tucks a loose strand of hair behind her ear, a gesture so small yet intimate, as if caught in the middle of a thought. The landscape behind her is stark yet cinematic—a horizon split by train tracks, symbols of departure, of destinations reached or abandoned. The colors burn with an almost unnatural intensity: deep, sun-scorched orange colliding with the cool expanse of a rich blue sky. The image is both vivid and ghostly, alive with a tension that can’t be fully defined. Is she waiting for something? Listening? Reacting to a voice just beyond the frame? It’s impossible to say. And that’s the brilliance of Untitled (Traintracks)—it invites you into its silence, into the space between motion and stillness, presence and memory. Like much of Schneider’s work, this piece is not just about the subject, but about time itself—how it lingers, distorts, and leaves its traces in light and chemistry. It’s a portrait of solitude, of contemplation, of the quiet weight of an unfinished story.

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