Steve Snyder

Canoe and Stone

1988

Anne Sager (American, 1930-2024), Kayak Composition, Chromogenic Print, apparently unsigned, with artist's estate stamp to verso, unframed. Image: 10" H x 7.5" W; sheet: 11" H x 8.5"...

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, 1983, impasto details, warm ochre brown with white and dark brown highlights, unsigned, dated and with artist's ...

Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...

Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual experience. Beaulieu clearly acknowledges his artistic presence in the work through mechanical and digital manipulation of the objects and images he presents. He becomes more than a passive observer and recorder of his physical world; the alteration of conventional photographs implants his voice and vision into the work. This approach directly addresses and contrasts artistic practices which seek to conceal the artist’s hand. His method diverges from those that attempt to present an uninterrupted and uncontaminated record, such as some documentary and straight photography. In using these stylized techniques, Beaulieu makes a palpable proclamation regarding the subjective and flexible condition of images. In Révélations, images of trees, moss, leaves and other natural objects are presented in strict colour schemes of muted grays, browns and greens. Though these colours are familiar components of the natural world that we experience in day-to-day life and in photographs of nature...