Tom Ferderbar

Clouds I, Yosemite

1958

"Abandoned Trading Post Near Grants, New Mexico" is a fine art photograph printed on paper and signed lower right by the artist, Thomas Ferderbar. It depicts a run down building in the dry landscape of New Mexico. 10 1/8" x 15" art Artist Statement: "I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

"Curio Shop Entrance, New Mexico" is a color photograph printed on canvas and signed lower right by the artist, Thomas Ferderbar. It depicts a gray wall with fading painted decorations. Artwork Size: 55" x 37 3/4" Frame Size: 56" x 38 1/2" Artist Statement: "I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Paper size - 20 by 28 inches Image size - 16 by 24 inches In addition to photographing fine art projects, Landon photographs for commercial and editorial clients around the wo...

Photograph, 2016. Ultra HD, printed on Fuji Crystal DP I II. 1 of 30 prints behind acrylic glass. Framed. Signed, titled, dated and numbered on the back. It comes directly from the s...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Arti...

Sunburned GSP#871 (Great Salt Lake, Utah), 2015 Gelatin Silver Paper Negative Unique 12" x 20" (30.5 x 51 cm) Framed: 15 5/16" x 23 15/16" (39 x 59 cm) Chris McCaw builds his own large-format cameras and outfits them with powerful lenses typically used for military surveillance and aerial reconnaissance. Instead of film, McCaw inserts expired fiber-based gelatin silver photo paper directly into the camera. Pointing the lens at the sun, McCaw makes recordings ranging from thirty seconds to as long as 36 hours. The sun, intensified by the lens, scorches its path across the paper while creating a solarized image of the landscape or seascape below – a “direct positive” image made in-camera, without an intervening negative. These burned lines and holes are tangible traces of the act of making each photograph: marking time, recording location, mapping weather conditions and channeling light.