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Victor Guidalevitch
Reflets sur L'eau, Victor Guidalevitch

1940

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    This original silver gelatin print by Lucien Clergue, printed by the photographer in 1961, this original photograph is hand-signed, titled, dated, and stamped by the photographer’s s...
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  • Marilyn Monroe in the Car Looking Forward
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  • How to Marry a Millionaire
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    Created by Frank Worth in 1953, this absolutely stunning and glamorous image of Marilyn Monroe on the set of How to Marry a Millionaire is a...
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  • Nimeño II, Nîmes
    By Lucien Clergue
    Located in New York, NY
    An image of stunning urgency, Lucien Clergue created Nimeño II, Nimes in 1980. This silver gelatin print is hand-titled and dated by the photographer, with his copyright, notes and ...
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  • Painted Skies, by Peter Lik
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  • Marilyn with Sequin Gloves
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    As one of the iconic images from The Last Sitting, commissioned by Vogue Magazine, Marilyn with Sequin Gloves was created in 2011 from the negative Bert Stern shot in 1962. It is a ...
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    Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...
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  • Andres: Venice - Canale Grande with Rialto Bridge
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  • Vintage Silver Gelatin Signed Photograph Samuel Gottscho Garden Flowers Photo NY
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    Vintage hand signed and stamp signed with the photographers stamp and numbered photo of Moccasin Flower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...
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