Victoria Montoro Zamorano

La Herida

For Victoria Montoro Zamorano, the art of seeing consists not in actively looking for the striking or unusual, but in being ever open and receptive to see the world with new eyes. This unguarded, spontaneous approach gives her images a quality of abstract realism that turns undulating sand dunes into a woman’s prone body, and equally captures the emotional content of a crumbling façade or an old woman’s face. An avid world traveler. Cuban born Zamorano has a special sensibility for people and places off the beaten path. Having no preconceived notions of what a photograph should be, Zamorano’s instinctual approach has led her to the poignant remains of the Jewish synagogues...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Framed dimensions are 20 x 24 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...