Lucien Clerque

Jean Cocteau and Sphinx, Testament of Orpheus

1959

Christopher Williams is a conceptual artist and fine art photographer This image is from the series of pictures of a 1964 Renault Dauphine automo...

This lithograph by Fernand Leger is from the portfolio entitled "La Ville" (The City) which consists of 29 lithographs featuring scenes of people, life and emotions of Paris. The art...

Vitale Trenta Aprile, Roma is a Monoprint of a street scene in Rome in 1960. The modernist interpretation of an ancient city is exquisitely rendered by Steg. His use of color and chi...

Pablo Picasso Fantasie & Vision This image was used for a poster printed to promote an exhibition of Pablo Picasso's drawings, gouaches and watercolors, at the Musée Reattu in Arle...

Southampton Garden, Autumn 2008

Southhampton, Autumn 2008 Digital Print 8 x 10 inches

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photographs of works by artists represented primarily by the Buchholz gallery, Curt Valentin, and Stephen Radich Galleries. Artists whose work he shot include Max Beckmann, Francis Bacon, Chaim Soutine, Allan Kaprow, Clyfford Still, Georges Braque, Paul Klee, Henri Matisse, Picasso, Auguste Rodin, Georges Rouault. He worked with Louis H. Dreyer, the pre-eminent architecture photographer in New York City. Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Amedeo Modigliani, Diego Rivera, Chaim Soutine, and Juan Gris. Art historian H. H. Arnason, who ranked Lipchitz with Picasso and Marc Chagall, wrote, "Lipchitz, as a pure sculptor, is ...unquestionably one of the greatest sculptors of this century." The architect Philip Johnson asked Lipchitz to make a wall sculpture to be placed on the brick chimney over a fireplace of a guest house owned by Mrs. John D. Rockefeller III on West 53rd Street in New York. Lipchitz decided to develop the piece from his Pegasus designs and call it Birth of the Muses in honor of the Rockefellers' interest in the arts. In 1950 he completed the work as a bronze relief five feet high. It was installed as planned and later was acquired by Lincoln Center. He participated in the Flight portfolio...

Born in Cologne in 1922, died in Hamburg in 2004. Apprenticeship as a machinist from 1937, then studied engineering (not completed due to the war). Served in the war and imprisoned....

Unique Gelatin Silver Print Paper size: 8 x 10 inches Framed size: 23.75 x 25.25 inches Provenance: Private collection, New York This work originates from the Estate of Andy Warho...

Gelatin Silver Print Paper size: 10 x 8 inches Framed size: 26.5 x 22.5 inches Dated 'Apr 29 1982' on the reverse Provenance: Private collection, New York This work originates fr...

Silver gelatin print, with numeric notation and stamp of collection of Jon Anderson (verso), 12cm x 18cm (41cm x 44cm framed). Jon Anderson was Paul Cadmus' partner of 35 years. The picture depicts the artists Paul Cadmus and George Tooker, the photographer, George Platt Lynes, and publisher, Monroe Wheeler. The painter Paul Cadmus (1904 - 1999) and married artists Jared (1902 - 1989) and Margaret French (1906 - 1998) comprise the photographic collaborative known by their acronym, PaJaMa. Beginning in 1937, and over the course of nearly two decades, the trio collectively staged photographs set against the backdrops of Fire Island, Provincetown, and Nantucket, among other locations. Their psychologically and sexually charged images often served as studies for the artists' subsequent paintings and works on paper. The statuesque quality of the figures and the stillness of each scenario are key characteristics of PaJaMa’s photographs...

Hungary uprising in back a fire with a poster of Istvan Dobi, 1956. Keywords: Hungary; Hungarian; people; crowd; revolution; 1956; 1950s; city; fire; burning; uprising; Istvan Dobi ...