Mariette Pathy Allen

Guest at a Ball in Harlem, New York

1984/printed later

Realness (The Face Competition) 1984 Signed and numbered, verso Archival pigment print (Edition of 12) 15.25 x 23 inches, image $2,600.00 This work is offered by ClampArt in New...

125th Street, Harlem, NY 1946/1986 Signed, titled, and dated in black ink, recto Gelatin silver print 18.5 x 14.75 inches, image

Carrie Being Made Up for the Ball 1984 Signed and numbered, verso Archival pigment print (Edition of 12) 15.25 x 23 inches, image $2,600.00 This work is offered by ClampArt in N...

Digital C-print Signed and numbered, verso 11 x 14 inches, sheet (Edition of 20) 16 x 20 inches, sheet (Edition of 10) This photograph is offered by ClampArt, located in New York ...

Fashion Show, Brooklyn, New York, USA 1963 by Leonard Freed is a 19" x 13" signed and numbered archival pigment print in an edition of 10. Signed by the estate, Freed's widow Brigitte Freed, on back of photograph. Available: 3/10. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department...

"I walked into a timeless place … full of supporting actors and actresses of every conceivable role," Abramson wrote in Light: On the South Side, published by Chicago's Numero Group ...

“I walked into a timeless place … full of supporting actors and actresses of every conceivable role,” Abramson wrote in Light: On the South Side, published by Chicago’s Numero Group in 2009. “Brassai, who photographed nocturnal Paris around 1930, had always been one of my favourite. Having seen, his pictures and, later, read about his experiences, I was fascinated by the implied romance with which he viewed his photography. (…) When I photographed on the South Side, especially in Peppers Hideout, it was very much in recognition of a Brassai–type world. Whether it be ambiance, gestures, or dress, there seemed to be a direct correlation with the Parisian bistros and dance halls that Brassai had photographed.” - Michael Abramson, “Black Night Clubs of Chicago’s South Side”, May 1977. Print details: © Michael L Abramson, Untitled #112, CA. 1974 -1977 Vintage Gelatin Silver Print, in custom made frame Image size: 20.5 x 30.5 cm, Printed on 11 x 14" paper (27.9 x 35.4 cm), white border Series: 1970s Nightclubs of Chicago South Side Stamped; "Provenance Authenticated by Michael L Abramson Estate, 2011" on verso Frame: 38 x 48 cm (Custom made classic hardwood frame, stain in black, museum mount board and antireflective UV AR protective art glass) All prints from 1970s South Side Chicago series are available for purchase as the singular works or as the group of images - please view a selection on 1stDibs and the gallery storefront. All works are Vintage Silver Gelatin prints made by the photographer at the time there were taken. All prints can be purchased in bespoke hardwood frames, museum mount board and anti-reflective UV protective Art Glass. If you wish to ship or purchase unframed prints, we are happy to arrange that for you. About the Photographer: Michael L Abramson was born in New Jersey in 1948, the late American photographer graduated with Master of Photography from Institute of Design, Illinois Institute of Technology in Chicago in 1977. His work was regularly featured in Time, New York Times, Newsweek, People, Forbes, Harpers, Wall Street Journal and other popular American and international magazines. He was a highly sought after commercial portrait photographer and photojournalist. His subjects comprised celebrities, prominent stars from sport, politics and the entertainment industry included Bill Clinton, Steve Jobs, Steven Spielberg, Michael Jordan, Oprah Winfrey and many more. Yet it was his 1970s series documenting the Chicago South side club scene that made Abramson’s name. Influenced by Brassaï’s photographs of the 1920s Paris, Abramson caught the stylish nightlife of the funk and soul era in full, alluring swing. His work was exhibited frequently since 1978, including a solo show at Museum of Contemporary Photography, Chicago, in 2014 and in the same year the group show on American Photography since 1950 at Madison Museum of Contemporary Arts (US). Following Abramson’s death in 2011 a new book entitled Gotta Go Gotta Flow: Life, Love, and Lust From Chicago’s South Side was released by Chicago-based Chicago City...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...