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Nick VeaseyJimmy Choo2006
2006
About the Item
Nick Veasey is a British photographer working primarily with images created from X-ray imaging. Some of his works are partial photomanipulations with Photoshop. He therefore works with digital artists to realise his creations.
Born in London in 1962, he worked in the advertising and design industries and pursued work in conventional still photography before being asked to X-ray a cola can for a television show. Veasey also X-rayed the shoes he was wearing on the day and upon showing the finished image to an art director was galvanised by the response it provoked.
He lives near Maidstone, England. His work has featured in many international advertising campaigns and adorned products and packaging worldwide, notably Adobe’s Creative Suite livery and Lenor/Downy fabric conditioner.
In 2009, a major exhibition of his works began at Maddox Fine Arts in Mayfair, London. Artworks are also exhibited in galleries internationally, with exhibitions running in 2010 in Europe, North America and Asia.
Veasey’s first collection of images collated into hardback format: X-ray: See Through The World Around You was recently released by Carlton/Goodman in the UK and Penguin in North America. The book collects images captured over a 13-year period of experimentation with X-ray imaging and equipment.
He is the recipient of many photographic and design awards including IPA Lucie Awards, AOP, Graphis, Communication Arts, Applied Arts, PX3 and awards from the D&AD also being nominated for the IPA Lucie International Photographer of the Year 2008.[3] He claims to be responsible for realising the possibly largest X-ray to date, a life size Boeing 777 jet, which currently resides upon a hangar at Logan Airport, Boston.
- Creator:Nick Veasey (British)
- Creation Year:2006
- Dimensions:Height: 29.21 in (74.2 cm)Width: 41.91 in (106.46 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU104714590142
Nick Veasey
We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like, etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to the physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras track our every move. By using the same gadgetry that removes a sense of freedom from our lives, Veasey speculates upon what the manufactured and natural world really consists of, thereby reminding us that beauty is more than skin deep. Nick Veasey's work is exhibited in a number of major international galleries in Europe, North America, and Asia. He is the recipient of many photographic and design awards, granted by the IPA Lucie Awards, AOP, Graphis, Communication Arts, Applied Arts, PX3, and the D&AD. In 2008, Veasey was nominated for the IPA Lucie International Photographer of the Year.
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