Nude Photography

Adult film star Cal Culver (AKA Casey Donovan) 'After Dark' magazine iconic nude study, photographed in 1972. LGBTQ+ Pride This is a vintage gelatin silver print, selenium toned, mad...

Self Portrait in Painters Coveralls c. 1970 Signed, l.l. Vintage gelatin silver print 10 x 8 inches (25.4 x 20.3 cm) This work is offered by ClampArt in New York City.

11 x 14" vintage silver gelatin photograph of Artist/Warhol Superstar Ultra Violet, with friends Jason McCoy and Ron Caran, 1971, nude, photographed in 1971 in New York City. Comes d...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine...

Archival pigment print Signed in black ink, recto 14 x 11 inches, sheet size 10 x 10 inches, image size This artwork is offered by ClampArt, located in New York City. Born in Poland in 1942 as Armin Hagen Freiherr von Hoyningen-Huene, Peter Berlin is a relative of the celebrated fashion photographer George Hoyningen-Huene (1900-1968). Raised in Germany, Peter Berlin received post-secondary education as a photo-technician, and in his early 20s worked as a celebrity portraitist for German television. However, it was around this time that he curiously began designing and sewing his own skin-tight clothing which he would wear as he cruised the parks and train stations in Berlin, Rome, Paris, New York, and San Francisco. After several long-term stays on the east coast of the United States, Peter Berlin eventually moved to San Francisco in 1969, and became a fixture on the steep streets with his signature look and perpetual posing. He soon began producing films and starred in the now iconic “Nights in Black Leather” (1973), co-directed by Richard Abel. Berlin then produced, directed, and starred in “That Boy” the following year, and made four shorter films through the mid- to late-1970s, while publishing and selling his photographic self portraits. Peter Berlin was the subject of several Robert Mapplethorpe photographs...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Harkness Ballet Principal Dancer Zane Wilson, nude, 1972. Vintage silver gelatin exhibition photograph made by Jack Mitchell. American photograp...

Adult film star Cal Culver (AKA Casey Donovan) 'After Dark' magazine nude study, photographed in 1972. This is a vintage gelatin silver print, selenium t...

Male model Brahm multiple-exposure nude portrait study, 1970. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes directly from the J...

Paris - Nude in front of Montparnasse tower

Beautiful vintage nude photo created by the East German Photographer Sigurd Rosenhain, who lived and worked in Leipzig.

Fritz Aigner (1930 - 2005) was an Austrian artist who has been a solitary figure in the Austrian art scene of the 20th century throughout his life, defying any categorisation of art ...

Dancer, nude study for 'After Dark' magazine, 1971. Vintage silver gelatin exhibition photograph made by Jack Mitchell. Signed by Jack Mitchell on the reverse. American photographer...

Beautiful vintage nude photo created by the East German Photographer Sigurd Rosenhain, who lived and worked in Leipzig.

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Warhol superstars Joe Dallesandro and Sylvia Miles nude in Andy Warhol’s ‘Heat’, 1971, for After Dark magazine. This is an 8 x 10" vintage silver gelatin photograph that was publishe...

11 x 14" vintage silver gelatin photograph of anonymous male dancer, 1965. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack Mitchell, (1925-...

11 x 14" vintage silver gelatin photograph of Warhol Superstars Sylvia Miles as Hollywood has-been Sally Todd and Joe Dallesandro as hustler Joey Davis in Andy Warhol's "Heat" - Marc...

Slim Aarons Limited Estate Edition Countess on Deck Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. Paper size very large 72 x 4...

11 x 14" vintage silver gelatin photograph of Artist/Warhol Superstar Ultra Violet, with friends Jason McCoy and Ron Caran, 1971, nude photographed in 1971 in New York City. Nude. Co...

Warhol superstar Joe Dallesandro photographed nude for After Dark magazine, 1970, shortly after starring in Andy Warhol's 'Trash'. Vintage 11 x 14 inch silver gelatin exhibition phot...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Mitchell dry mounted this photograph on archival board for exhibition. Comes directly from the Jack Mitchell Arc...

Roy Dean (1925-20020. Male Nude Study, ca. 1975-80. Origina; period print with artist studio stamp on verso. Print measures 2.25 x 4 3/8 inches; 9 x 12 inches...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Edward's son Cole Weston. The We...

Warhol superstar Joe Dallesandro the iconic portrait taken during the photo session for After Dark magazine, 1970, shortly after starring in Andy Warhol'...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Slim Aarons Limited Estate Edition Countess on Deck Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. Paper Size very large 72 x 4...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

11 x 14" vintage silver gelatin photograph of Artist/Warhol Superstar Ultra Violet, with friends Jason McCoy and Ron Caran, 1971, nude, with psychedelic multiple exposure effect, pho...

11 x 14" vintage silver gelatin photograph of American classical double bass virtuoso Gary Karr, photographed nude for After Dark magazine, 1974. Comes directly from the Jack Mitchel...

11 x 14" vintage silver gelatin photograph of Warhol Superstar Jane Forth & Michael Findlay nude for 'After Dark' magazine, 1970. Comes directly from t...

Karen Christy by Pompeo Posar is a lot of two photographic prints on single coated paper. Photographs published on Playboy 12-1971 and realized by magazine's official Photographer Pompeo Posar(1921-2004) Handwritten notes on back. Dim: cm 25 x 21 Excellent conditions Different nude portraits of Playmate Karen Christy realized with a vouyeristic point of view by master of erotic photography

Duffy - Pirelli Ice Cream Girl - banned - signed limited edition BANNED OUTTAKE - ICE CREAM ON BREASTS - PIRELLI 1973 Image size 18x12" signed Archival Pigment print limited edition size of 12 only On the 27th of October 1972 for the first time in Pirelli Calendar history, this image was banned. It was deemed too risqué even for a publication such as this. Derek Forsyth and Allen Jones were summoned to Pirelli’s head office in Chester square to explain themselves. The chairman of the company deemed the image too perverse and it was never published. Duffy was one of the few photographers who was commissioned for three Pirelli calendars. His first two calendars were in 1965 and 1973 and his last shoot for Pirelli was also in 1973 for the Cinturato truck tyre calendar. Duffy worked with the pop artist Allen Jones and the airbrush artist Philip Castle. The airbrushing techniques used producing this calendar were incorporated on the David Bowie Aladdin Sane album cover in 1973. More About Duffy : AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ice cream pirelli calendar girls sex sexy erotic erotica nudes boobs...

Vintage, signed

Art dealer Jason McCoy, Warhol Superstar Ultra Violet, and Art Historian Ron Caran, photographed nude for After Dark magazine, 1971. Vintage silver gelatin exhibition photograph mad...

c. 1974 Stamped, verso Vintage silver print 10 x 8 inches, sheet This work is offered by CLAMP in New York City. Price includes matting and framing.

11 x 14" vintage silver gelatin photograph of composer David Del Tredici, photographed nude in 1973. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitchell...

Silvergelatinprint

Archival pigment print Signed in silver ink, l.r. 14 x 11 inches, sheet size 10.5 x 10 inches, image size This artwork is offered by ClampArt, located in New York City. Born in Poland in 1942 as Armin Hagen Freiherr von Hoyningen-Huene, Peter Berlin...

Dani Geneux (left) and Marie-Eugenie Gaudfrin sunbathing at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. Aarons' iconic photograph depicts the legendary hotel made famous by Fitzgerald's Tender is the Night, the sun-kissed home away from home for titans of literature and music (Cole Porter, Fitzgerald, Hemingway, Stefan Zweig, Noël Coward), film (Marlene Dietrich, Alain Delon, Elizabeth Taylor, who brought all of her husbands there, and every Hollywood A-lister in town for Cannes), art (Chagall, Picasso, Matisse), music (John and Yoko, Jane and Serge, Ella Fitzgerald), politics (Churchill, De Gaulle, the Kennedys), and high society (the Duke of Windsor and Wallis Simpson). Two female bathers in black sunhats enjoy a holiday in bikini and topless styles, against the rocks. Numbered and stamped by the Slim Aarons...

A woman combing her hair by a waterfall at Rose Hall, Jamaica, December 1971. Visual description: A tanned white woman smiles and combs her long brown hair by a waterfall at Rose H...

Warhol superstar Joe Dallesandro the iconic nude portrait taken during the photo session for After Dark magazine, 1970, shortly after starring in Andy Warhol's 'Trash'. Vintage 11 x ...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

11 x 14" vintage silver gelatin exhibition photograph of Warhol Superstar and Vogue model Jane Forth & Michael Findlay nude for 'After Dark' magazine, ...

Professional bodybuilder Arnold Schwarzenegger posing at the top of his form in October 1976 for a cover and feature article in After Dark magazine. One of Mitchell's most beautiful ...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

11 x 14" vintage silver gelatin photograph of Paul Morrissey, director of Andy Warhol's ‘Trash’, photographed for Vogue magazine on September 21, 1970. ...

11 x 14" vintage silver gelatin photograph of Joffrey Ballet dancer Christian Holder photographed nude, 1970. Signed on the verso by Jack Mitchell. Come...

Silvergelatinprint

11 x 14" vintage silver gelatin photograph of Tony award-winning playwright Terrence McNally photographed nude in Mitchell's studio for 'After Dark' m...

Duffy - Pirelli Ice Cream Girl - banned - signed limited edition BANNED OUTTAKE - ICE CREAM ON BREASTS - PIRELLI 1973 Image size 18x12" signed Archival Pigment print limited edition size of 12 only On the 27th of October 1972 for the first time in Pirelli Calendar history, this image was banned. It was deemed too risqué even for a publication such as this. Derek Forsyth and Allen Jones were summoned to Pirelli’s head office in Chester square to explain themselves. The chairman of the company deemed the image too perverse and it was never published. Duffy was one of the few photographers who was commissioned for three Pirelli calendars. His first two calendars were in 1965 and 1973 and his last shoot for Pirelli was also in 1973 for the Cinturato truck tyre calendar. Duffy worked with the pop artist Allen Jones and the airbrush artist Philip Castle. The airbrushing techniques used producing this calendar were incorporated on the David Bowie Aladdin Sane album cover in 1973. More About Duffy : AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography...

The photograph is a black-and-white image that captures a dynamic scene of juxtaposition and contrast. It features a close-up of a woman's bare legs crossing elegantly among a group ...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

13 x 19" lifetime vintage color photograph of Artist/Warhol Superstar Ultra Violet, signed by Jack Mitchell (the only print of this photograph he signed). Nude Comes directly from th...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine...