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Art Subject: Balloon
Galatea 2 - Flora, Nature, Still life, Lilies, Telephone, Pomegranate, Nude
Located in Brighton, GB
Galatea 2 is a vibrant C-Type Print on Fujiflex Paper in an Edition of 9 + 2 Artist Proof with Dimensions of 100cm x 100cm.
Please bear in mind that all prints are produced to order...
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21st Century and Contemporary Pop Art Nude Photography
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Eugène - Polaroid, Women, Contemporary, Color, Nude
Located in Morongo Valley, CA
Eugène (Odd Stories)
1/25, 2013, 15x11,3cm
Art Print mounted on black mdf
hand signed by the artist on the back.
Carmen De Vos' 'Odd Stories'
The Belgian photographer Carmen De Vo...
Category
2010s Contemporary Color Photography
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Les Acrobates V. Limited Edition Photograph
By Uwe Ommer
Located in Miami Beach, FL
Les Acrobates V
H 35.5 in. x 27.5 in. W
Edition 6
Unframed
Les Acrobates Series
This series was part of a calendar, and pays tribute to the art of the circus and its artists.
____...
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1990s Contemporary Nude Photography
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"High Noon 1" Photography 40" x 30" inch Edition of 24 by Rob Woodcox
By Rob Woodcox
Located in Culver City, CA
"High Noon 1" Photography 40" x 30" inch Edition of 24 by Rob Woodcox
Hahnemuhle Torchon Matte FineArt Paper (archival)
2019
ABOUT Rob Woodcox
Rob Woodcox is a fine art and fash...
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21st Century and Contemporary Contemporary Landscape Prints
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Archival Paper
"Minnie/Mickey MM4" (FRAMED) Photography 50" x 40" in Ed. 1/8 by Giuliano Bekor
Located in Culver City, CA
"Minnie/Mickey MM4" (FRAMED) Photography 50" x 40" in Ed. 1/8 by Giuliano Bekor
This artwork printed on a highest resolution fine art Fujiflex Crystal archive silver halide paper. P...
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21st Century and Contemporary Pop Art Figurative Photography
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Plexiglass, Archival Pigment
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Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This
represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes, now showing us the
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The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini
The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints
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Located in Morongo Valley, CA
Stefanie Schneider Polaroid sized unlimited Mini 'Girl Nude at Window - Bathtime III (29 Palms, CA)' - 1999 -
1 Archival Color Photograph based on the original Polaroid.
Polaroid ...
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Jenna Jameson (Diptych-Clothed/Nude), Timothy Greenfield-Sanders
Located in Fairfield, CT
Artist: Timothy Greenfield-Sanders (1952)
Title: Jenna Jameson (Diptych-Clothed/Nude) from the XXX 30 PORN-STAR PORTRAITS SERIES
Year: 2004
Medium: Color Print
Edition: 6 plus 3 AP
Size: 20 x 16 inches each, 20 x 32 inches total
Condition: Excellent
Inscription: Signed, dated, titled by the artist.
Exhibitions & Literature: “XXX: 30 Porn Star Portraits” appeared at Mary Boone Gallery, New York [Oct. 30-Dec. 18, 2004] and at John Berggruen Gallery, San Francisco [Jan. 12-Feb. 12, 2005]. Accompanying the exhibition was a 144-page catalogue published by Bulfinch Press, a soundtrack distributed by Emperor Norton (Ryko) and a documentary on the making of the photographs aired by HBO [Oct. 22, 2004-Feb. 22, 2005].
Notes: Since this item will be shipped directly from the photographer, the seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase.
BACKGROUND, XXX 30 PORN-STAR PORTRAITS SERIES
Art in America “Body Double” by Sarah Valdez 4/2005 —
From rock stars to presidents, literary figures to actors, not to mention pretty much everyone of consequence in the blue-chip art world, Timothy Greenfield-Sanders has for some three decades now photographed celebrities, in the process institutionalizing himself as one. Ever a fan of the big negative’s capacity for crisply rendering minutiae larger than life, Greenfield-Sanders has made a formidable career out of satisfying the public’s desire to scrutinize ordinary aspects of extraordinary people, at once acknowledging and confirming their iconic status.
He has captured, for instance, the young David Bowie, transformed with a goatee and feathery earring; Warhol wringing his hands, for once caught unawares by the camera; Hillary Clinton with that impeccable blonde bob; Agnes Martin in an adorable black cardigan, gold buttons done up to the top; Robert Mapplethorpe wide-eyed in his boodle. Like school portraits, set consistently against solid backdrops, Greenfield-Sanders’s portraits possess a reassuring sameness, encouraging scientific scrutiny–all the while bestowing on his sitters a cultural legitimacy of which they cannot help but be aware.
His latest exhibition did no less, chronicling celebrities of the adult-film industry. “XXX: 30 Porn Star Portraits” consisted of a series of 30 photographic diptychs showing his muses posed more or less the same way twice, once with street clothes on and then with them off. But the project also included an ambitious number of spinoffs: a catalogue (with essays by 16 well-known figures, among them Gore Vidal, John Waters, Karen Finley, JT LeRoy and Salman Rushdie, as well as bios written by each of the porn stars he photographed), a Greenfield-Sanders-directed and -produced documentary on the making of the porn-star photographs (aired by HBO) and a slick soundtrack for the documentary (including music by the Velvet Underground, Peaches, Felix da Housecat and Rabbit in the Moon, among others).
In the choppy documentary, Greenfield-Sanders appears here and there, but reveals little about his motivation for undertaking “XXX,” mostly allowing his models and catalogue essayists to speak, one after another, as if to an omniscient interviewer. All amicably hold forth on porn and sex, plus a little about life in general. We meet a few self-proclaimed born exhibitionists, who explain that they got into the industry with verve and on purpose. Others, of course, found themselves compelled by cash.
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