Wrist Nude Photography

This evocative underwater fine art photograph captures a naked woman swimming through a golden kelp forest, creating a dreamlike atmosphere where human and nature intertwine. The ima...

Bubble Gun #04 - 2015 [From the series Odd Stories] Edition of 7, 50x38.5cm Hand signed & numbered by the artist + certificate. Not mounted. Digital archi...

MISS ERIS #19, 2015 / 2019 [From the series Les Foxy Femmes de Carmen De Vos] 20x20cm, Edition of 7 + 2APs. Museum quality C-Print based on the Polaroid. Mounted on round dibond ...

An underwater photo of a naked young woman wrapped in air bubbles. The photograph depicts only her body, the face is not visible. A very bright eye catching artwork. The pool was f...

#Girl Manoeuvres - 01 from the series Dunderwear - 2007 26x20cm edition of 7 . Archival C-print based on the Polaroid , on beautiful on Fine art bright white by Hahnemuhle framed in a shadow Frame (white oiled wood) Hand signed & numbered by the artist. Carmen De Vos - Artist Statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

'Kansas and Parker Bowling' Edition 1/10, 20x30cm, 2018, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate....

Librije #20, 2011 [From the series Need to be] Self-portrait published in my book The Eyes of the Fox, 2018 Digital archival pigment print on beautiful PHOTO RAG ® ULTRA SMOOTH pap...

MISS ERIS #20, 2015 [From the series Les Foxy Femmes de Carmen De Vos] 20cm in diameter 1 of 7 + 2APs, printed 2019. Museum quality C-Print based on a Polaroid Mounted on round di...

The Blue Pill to forget (Burned) - Self Portrait 1999, Edition of 2/10, 40x40cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on...

Kickers (Walk like you understand Fashion) - 2015 28x28cm, image area 25x25cm, plus 3cm white border, Edition of 7, plus 2 Artist Proofs Digital archival pigment Print on beautiful...

"THE MOONSHOT COLLECTION Emerging from a long evolution stretching back nearly 50 million years comes the horse, a wild beauty, grazing peacefully on the plains, and then suddenly br...

Camisole - 2018 Published in Carmen De Vos's new book 'The Eyes of the Fox'. 80x80cm, Edition of 5, Digital archival pigment print 
based on an original Polaroid
 on beautiful PHO...