Pete Kelly

"Padstow Cornwall", Cornwall, UK, 2007

2007

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...

Black and white, landscape, beach, water, waves, sea, Los Angeles, California, photography, film photography, LA photograph, beach photography Listing is for UNFRAMED print. Inquire...

Black and white, landscape, weather, sea, water, waves, black and white, photography, film photography, b&w Listing is for UNFRAMED print. Inquire within for framing. Edition of...

Black and white, landscape, weather, desert, sand, dunes, photography, B&W photography, archival pigment print, film photography Listing is for UNFRAMED print. Inquire within for fr...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...

Black and white, landscape, water, weather, swimming, swimmer, man, waves, sea, Maine, photography, film photography, ocean, beach photography, beaches, Listing is for UNFRAMED pri...

Paul Middleton Westport Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal bl...

Iceland, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 83 inche...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 54 inches 67 x 76 inche...

My Perfect Storm Vik, Iceland - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 33" x 76" Unframed 48" x 91" Framed Edition o...

My Perfect Storm Vik, Iceland - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 33" x 76" Unframed 48" x 91" Framed Edition o...

California, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition size: 12 Available sizes: 48 x 61 inches 67 x 87 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The Harley-Davidson is a heavy- weight brand - like Coke and Mc- Donalds, it was integral to the flourishing of the American Dream. The brand is emblematic of the post 1945 roll out of the US highway network that offered the American population the freedom to travel for travel’s sake. As Robert Louis Stevenson said: “I travel not to go anywhere, but to go. I travel for travel’s sake. The great affair is to move.” My preconception was that if we were to use Harley...