Abe Frajndlich

Rosebud Conway, Georgia O’Keefe, Chicago

1973

“Linda has slanted, almond-shaped eyes, extremely beautiful nostrils that tilt another way, and a mouth that angled in a third direction – femininity combined with strength, womanliness mixed with girlishness. I think this why we all respond so much to Linda – we read into her face all those received charismatic images. With these images and all the preexisting pictures of Linda in the back of my mind, I found it easy to distill her features to a very simple form.” -Mats Gustafson...

Although credited by their married names at the time of publication, both subjects would re-marry and became better known as Babe Paley, the stylish socialite and “swan” of Truman Capote, and Marietta Peabody Tree, a United States Representative to the United Nations Commission on Human Rights and mother of historian Frances FitzGerald and model Penelope Tree...

Signed by the artist

Len Prince and Jessie Mann embarked on a collaboration in which Mann assumed a range of guises that draw on historical persons and iconic images. Mann, the...

Fiona Campbell-Walter (later Baroness Thyssen) on an English beach wearing an Estrava coat with a raffia hat from Eaton. British Vogue, July 1951 Fiona Campbell-Walter for Vogue, Ju...

Iman at King Peter’s Bay, Tobago wearing a Jane Cattlin bikini. British Vogue, May 1976 Iman at King Peter's Bay, Tobago. Vogue, May 1976 Silver gelatin p...

Apollonia van Ravenstein at the Crane Beach Hotel in Barbados wearing a Jane Cattlin swimsuit with a Charles Batten hat, chiffon scarf from Liberty and Saint Laurent Rive Gauche sand...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...