Brian Duffy

David Bowie Smoking Clown contact sheet by Duffy, with silver frame

1980

Museum quality contact sheet print of David Bowie smoking a cigarette in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original negatives, these o...

Museum quality fine art print of David Bowie smoking a cigarette in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original negatives, these offici...

Signed limited edition contact sheet of print David Bowie by Barrie Wentzell, taken during an interview at 252 Regent Street, London in January 1972. One of the images was used on th...

Museum quality fine art, limited edition contact sheet print of David Bowie in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original 1980 negativ...

Signed on label, verso Vintage chromogenic contact sheet This work is offered by CLAMP in New York City.

David Bowie With Hunky Dory - Limited Edition Mick Rock Estate Print David Bowie sitting with the Hunky Dory cover, 1972 (photo Mick Rock). All prints are numbered by the Estate. ...

Terry O'Neill (1938-2019) David Bowie, Diamond Dogs (v2) 1974 lifetime edition silver gelatin fine art archival print 24 x 20 in. (paper size) edition of 50 signed and numbered printed later Price: £9,360 GBP (inc. 20% UK VAT) Notes: David Bowie poses with a large barking dog for the artwork of his 1974 album Diamond Dogs in London. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

Profile image from the ‘Yellow Mustard Suit’ series, in Los Angeles, 1974 Signed and Numbered Lifetime Edition Gelatin Silver Print from the Terry O’Neill Estate 16" x 20" - Editio...