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Jill FurmanovskyThe Cure 1980 by Jill Furmanovsky1980
1980
About the Item
Signed limited edition fine art print of The Cure on the road in Holland and Belgium during their 1980 'Seventeen Seconds' tour.
Signed and numbered by Jill Furmanovsky in pencil and featuring Jill’s official embossed studio stamp.
Size A2 - 16.5" x 23.4" inches (42.0 cm x 59.4 cm)
Also available in the following "A" sizes
A3 (11.7" x 16.5" inches) (29.7 cm x 42.0 cm)
A1 (23.4" x 33.1" inches) (59.4 cm x 84.1 cm)
A0 (33.1" x 46.8" inches) (84.1 cm x 118.9 cm)
- Creator:Jill Furmanovsky (1953, British)
- Creation Year:1980
- Dimensions:Height: 16.5 in (41.91 cm)Width: 23.4 in (59.44 cm)
- More Editions & Sizes:A3 (11.7" x 16.5" inches)Price: $400A1 (23.4" x 33.1" inches)Price: $1,050A0 (33.1" x 46.8" inches)Price: $1,985
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU1812211268142
Jill Furmanovsky
Jill Furmanovsky, was born and brought up in Rhodesia (now Zimbabwe), Her parents moved to London in 1965 when Jill was 11 years old and she became a member of the Beatles fan-club and an 'Apple scruff' – one of the teenagers that hung around outside Abbey Road hoping to catch sight of the Fab Four. Her first rock shot was of Paul McCartney standing outside his house with two of her school friends taken on a Kodak Instamatic. Following a foundation course at Harrow School of Art, Jill studied textile and graphic design at the Central School of Art and Design. After only two weeks training in photography, she had a lucky break when she was offered (and gleefully accepted) the unpaid job of official photographer at London's premier rock venue, The Rainbow Theatre in 1972. Artists photographed in her 40 year career include many of the biggest names in rock music: Pink Floyd, Bob Marley, Eric Clapton, Blondie, The Police, Led Zeppelin, The Pretenders, Bob Dylan, and Oasis are but a few. She has also directed videos for Oasis and The Pretenders. Jill continues to shoot in the music industry. Her traffic-stopping image of Florence Welsh graced the streets of Los Angeles in 2012 as part of the exhibit ‘Who Shot Rock & Roll?’ at the Annenberg Space for Photography. She was also featured extensively in the film of the same name in which Noel Gallagher took part on her behalf, to praise their long working relationship.
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