Joe Waldorf

Louis Armstrong

c. 1959

An original photograph printed from the original negative, shot by Milton Greene in 1956, and printed at a later date. It was created for Greene's series entitled "The Black Sitting...

This piece is a pigment print from the original negative, shot by Milton Greene in 1955. This photograph of Marilyn Monroe is from a photoshoot which became known as "The Pekingese Dog Sitting" because Marilyn was accompanied by her hair stylist's dog during other photographs from the same series. Marilyn was shot in a gorgeous Bill Blass gown which became an integral part of the series. This black gown juxtaposed with the stark red background make these photographs hard to forget. These photographs were seen for the first time in 2013 after being locked away and unpublished for over 50 years until Andrew Weiss Gallery...

 Louis Armstrong - Historical Photo is a black and white vintage photo, realized in the 1960s. It belongs to historical album including photo reportages of historical moment and pol...

This black-and-white photo captures jazz legend Louis Armstrong playing his trumpet during a performance in Berlin in 1965. Armstrong, with intense focus, holds the trumpet close to his lips, his cheeks slightly puffed as he blows into the instrument. The lighting creates a dramatic effect, highlighting the shine of the trumpet and his facial expression, which conveys his passion and dedication to the music. Dressed in formal attire, Armstrong stands in the spotlight, embodying his iconic status as one of jazz music's greatest figures. The background is blurred, keeping the focus on Armstrong and his trumpet. The print is new, Highest Quality on Hahnemühle FineArt Baryta. More sizes up to 150x150 cm available on request. About Tassilo Leher: Born in the dark years of World War II, Tassilo Leher became an icon of photographic art in divided Germany. As the son of war correspondent Karl Leher, whose lens captured moments of contemporary history, he was born in 1940 in the heart of Berlin. He shared not only the studio in the picturesque Prenzlauer Berg with his father, but also the mysterious world of the darkroom. While Karl Leher, an early riser, made use of the morning hours, Tassilo found his creative flow only by midday, often working late into the night. His camera knew no bounds: from the dazzling stars of East German show business like Phudys, Karat, Hildegard Kneef, Manfred Krug, Bubi Scholz, to international greats such as Dean Reed, Karel Gott, Jiri Korn, and Costa Cordalis – all found themselves in front of his lens. The Friedrichstadt-Palast and numerous film sets became his stages, where he played with light and shadow to perfectly frame famous...