Marina Abramovic

Marina Abramovic, 512 Hours - Signed C-Print, Portrait, Performance Art

2021

Robert Longo (American, born 1953) Janet (from Men in the Cities), 1981/2016 Medium: Archival pigment print in colours, on Canson Platine fiber paper Dimensions: 47.7 x 35.5 cm Editi...

John Baldessari (American, 1931-2020) Zorro (Two Gestures and One Mark), 1998 Medium: Offset lithograph and screenprint on Arches paper, and flip book Dimensions: 25.4 x 20.3 cm (10 ...

Laure Prouvost (French, b. 1978) This Print Wishes to Be On the Other Side of This Wall, 2016 Medium: Etching on wove paper Dimensions: 60 x 45...

Tauba Auerbach (American, 1981) Pilot Wave Induction (altered stills), 2018 Medium: Set of two C-prints Dimensions: each 30.5 x 22.9 cm (11.9 x 8.9 in) Edition of 50 + 10 AP: Hand-si...

Marina Abramović Portraits in the Presence of Marina Abramovic (Hand signed by BOTH Marina Abramovic and photographer Marco Anelli), 2021 Hardback monograph with no dust jacket as is...

Marina Abramović & Ulay Sun and the Moon (Hand Signed print), 1987 Offset Lithograph Poster Uniquely isgned in ink pen on the front) by Marina Abramovic Historic collectors item 25....

Gelatin silver print Accompanied by a certificate of authenticity signed by the artist 48.75 x 52.75 inches, sheet 39.6875 x 42.75 inches, image (Edition of 12 + 2 APs) This photograph is offered by ClampArt, located in New York City. About the artist: Marina Abramovic...

Marina Abramović The Cleaner, 2017 Offset Lithograph poster from this European exhibition 39 2/5 × 27 3/5 inches Unframed and unsigned About The Cleaner project - courtesy of the Louisiana Museum Marina Abramović has inscribed herself in the history of art as one of the pioneers of body and performance art, and since the 1970s – with her own body and energy as her primary material – she has developed one of contemporary art’s most radical and uncompromising practices. Abramović is best known for physically and mentally demanding performance works that are often transgressive and revolve around the body, gender, energy, time, pain, presence, and identity. Her performances range from powerful, violent, and risky actions to quieter exchanges of energy and meetings with the audience. And especially in recent years, we the audience have increasingly become key players in her works. The exhibition at Louisiana comprised more than 100 works and spans more than five decades – from early concept sketches, paintings and sound works to presentations of the artist’s performances – including her collaboration with former partner Ulay. Reperformances of an early work formed part of the exhibition as well. Marina Abramović – The Cleaner was developed in dialogue with the artist and organized by Moderna Museet, Stockholm, in collaboration with Louisiana Museum of Modern Art, Henie Onstad Kunstsenter and Bundeskunsthalle, Bonn. The performance part...