Archival Pigment Portrait Photography

Jerry Schatzberg Carmen Exits Taxi, 1959 archival pigment print 20 x 24" ed. of 20 $10,500 40 x 40" ed. of 15 $18,000 From creator of poetic images to compelling storyteller, Jerry...

Jerry Schatzberg Untitled (Airplane), 1962 archival print 20 x 24" ed. of 20 $12,500 40 x 40" ed. of 9 $20,000 From creator of poetic images to compelling storyteller, Jerry Schatz...

Jerry Schatzberg Untitled (Mask), 1964 archival print 20 x 24" ed. of 20 $12,500 40 x 40" ed. of 9 $20,000 From creator of poetic images to compelling storyteller, Jerry Schatzber...

Jean-Michel Basquiat, 1987 Archival pigment print image size: 24 x 24 inches Signed and numbered edition of 25 William Coupon is an American photographer, born in New York City, kno...

Archival pigment print Date stamped with facsimile of signature in grey ink, l.r. This photograph is offered by ClampArt, located in New York City. About the artist: Born and raised in South Africa...

'Jarvis Cocker Of Pulp In London' (silver gelatin print Limited Edition) Originally shot for Mojo Magazine under Waterloo Bridge in London, 2001. An a...

"Joe Strummer and Mick Jones were secretly working together again on what would become the soundtrack to Sid and Nancy, The film by Alex Cox. Joe and I we...

Sleeping Archival pigment print 30 x 40 inches Signed and numbered edition of 10

Shot at the Fifth Street Gym in Miami Beach, FL. 16x20" - #4/25

The cover photograph for Jeff Buckley's album "Grace" 16x20" Archival Pigment Print, #31/50

16x20", #1/20 (Edition of 20 including all sizes)

Taken during Bruce Springsteen's 1978 tour for "Darkness at the Edge of Town" 16x20", #2/20 (Edition of 20 including all sizes)

Steve Mass, the owner of the Mudd Club Archival pigment print image size: 36 x 36 inches Signed and numbered edition of 15 William Coupon is an...

16x20", #1/20 (Edition of 20 including all sizes)

Edition of 25 Signed and numbered by Al Satterwhite Paper size: 16 x 20 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of 25 36 x 54...

Hollywood, 1982 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 40” x 60” (101.6x152.4 cm) Edition of 10 Robert Farber’s style has influenced generations of photographers. His painterly, impressionistic style captures the essence of composition in every genre, including nudes, still life, landscapes and architecture. His ten photo art books have sold over half a million copies. Jacqueline Kennedy Onassis brought Farber into Doubleday for the publication of his book “By The Sea,” which won the Art Director’s Award for color photography. Aside from numerous creative awards, Robert Farber also received the Photographer of the Year from PMA (Photographic Manufacturers Association), ASP International Award from the PPA (Professional Photographers of America) and The American Society of Photographers. This award was given to those who’ve made a significant contribution to the science and art of photography. Some previous recipients of this award include Dr. Edwin Land (inventor of the Polaroid), George Hurrell, and National Geographic. Farber’s work with nudes in fine art as well as in the commercial realm is known and respected. He has lectured for Ogilvy & Mather on the “Nude in Advertising.” ASMP requested to use Farber’s nudes as an examples of the artistic application in support of the National Endowment of Arts, after its backing of the controversial Mapplethorpe/Serrano exhibit. His book, “Farber Nudes,” was also included the Jacqueline Kennedy Onassis estate...

Neil Young, Musician/Songwriter 1988 Archival pigment print image size: 14 x 14 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in Ne...

Pretty In Pink, Miami Beach, 1979, printed later Archival pigment print 30 x 40 inches Signed and numbered edition of 10

Milton H. Greene Grace Kelly 1955 (printed later) All archival pigment prints, signed on reverse by the Estate American actress and then Princess of Monaco, Grace Kelly for an Ameri...

Marilyn Dean and Diane Weber in a Peek-a-Boo Dress. 1964 16 x 16.5 inches Tom Kelley’s interesting career spans more than four decades: first started as an apprentice in a New York ...

Marilyn Dean and Diane Weber in a Peek-a-Boo Dress. 1964 16 x 16.5 inches Tom Kelley’s interesting career spans more than four decades: first started as an apprentice in a New York ...

Demarchelier’s model poses behind glass among the masterpieces in “The Marble Gallery” of the Musée Rodin. The Spring/Summer 2011 Dior Haute Couture collection was shown on the grou...

Elgort photographed Lindgard at the Soniat House Hotel in New Orleans in front of the 1892 painting Pagliacci by the French artist Leon Henri Antoine Loire. The painting, which was t...

Frajndlich met the performance artist Minami Azu as she was performing Japanese butoh dance at a subway station in downtown New York. Butoh dance is typically performed in white body makeup and usually includes hyper-controlled gestures and grotesque and absurd imagery and environments. Despite their language barrier, Azu and Frajndlich began a long and productive collaboration and travelled through New York, Italy, and Japan together. Frajndlich, well-known for his photographs of artists...

Milton H. Greene Grace Kelly 1955 (printed later) All archival pigment prints, signed on reverse by the Estate American actress and then Princess of Monaco...

Marilyn Dean and Diane Weber in a Peek-a-Boo Dress. 1964 Archival pigment print 16 x 16.5 inches Estate stamped and hand numbered edition of 50 with certificate of authenticity from the Tom Kelley Estate. Tom Kelley’s interesting career spans more than four decades: first started as an apprentice in a New York photo studio that catered to the city's upper 400 (i.e. photographing the Vanderbilts, the Astors, the Harrimans, the Morgans, etc.). One of his biggest spot news assignments was covering the Lindbergh kidnapping case. Coming to California, Kelley was retained to photograph the stars created by David 0. Selznick and Samuel Goldwyn including Ingrid Bergman. A few of his other most famous subjects have been Gary Cooper, Greta Garbo, James Cagney, Clark Gable, Winston Churchill, Bob Hope, Marlene Dietrich, Joan Crawford, Jack...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix at Mason’s Yard, London 1967. Blue smoke. ...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull recording at Decca Studios in London in 1964. A...

'Paul McCartney' SIGNED, LIMITED EDITION Portrait of Paul McCartney. Paul McCartney Pinstripe Colour Tryptych, by Gerard Mankowitz, London 1967. All Prints are Signed and Limite...

'Paul McCartney' SIGNED, LIMITED EDITION Portrait of Paul McCartney. Photograph by Gered Mankowitz of Paul McCartney, Decca Studios, London 1967. All Prints are Signed and Limited Edition Printed later 2020 EXTRA LARGE 40 x 40" inches/ 101 X 101 cm Edition size 50 only 1/50 GERED MANKOWITZ BIOGRAPHY: Gered Mankowitz was born in London, England, on 3rd August 1946. The first of four sons of the late author, playwright and film writer Wolf Mankowitz and his wife, the Jungian psychotherapist Ann Mankowitz. After an education of sorts at several London co-educational “progressive” schools, he left at 15, avoiding all exams and completed his education devoid of any formal qualifications. Having displayed a natural ‘eye’ for photography whilst on a school trip to Holland and having been inspired to take up photography by the actor Peter Sellers, his photographs were seen by the legendary photographer Tom Blau, who offered Gered an apprenticeship at his famous photo agency, Camera Press Ltd., in London. Over a period of several months Gered worked in all the various departments that made up Camera Press, finally moving to the studio and going on various assignments in and around London. In 1962, Gered went to Barbados with his family and began taking photographs professionally, producing a range of work from architectural studies for the island’s top architect to the first Boeing 707 landing at Bridgetown airport for British West Indian Airways. On returning to London, Gered was offered a chance to go to Paris for the collections, working for the fashion photographer Alec Murray. In spite of the glamour and exciting atmosphere, it was clear that this particular area of work was not for him, and on returning to London he went to work for the ‘show-biz’ portraitist, Jeff Vickers. Gered had already photographed the Bristol Old Vic production of the American musical play “Fiorello” and his photos had been used for the front of theatre display when the show transferred to London’s Piccadilly Theatre. This made him the youngest photographer to have his pictures used in this way; so working for Jeff Vickers gave him an opportunity to develop his ‘show-biz’ contacts and to broaden his experience in the studio, taking portraits of many actors and other personalities. During 1963, Gered met and photographed the singing duo Chad and Jeremy, who had just signed with Ember records. One of these photos was used as the cover of the duo’s first album, “Yesterday’s Gone”, and Gered found himself working in the music industry at a time when it desperately needed new, mould breaking images. He began to work with a new generation of producers like John Barry, Shel Talmy and Chris Blackwell photographing artists who were of his own age group and who felt at ease with him in a way that had not been possible with other photographers. At the end of 1963 Gered opened his first studio, at 9 Masons Yard in the heart of London’s West End. On one side was the infamous disco “The Scotch of St.James”, hangout of the pop glitterati of the time, and on the other the art gallery “Indica”, partly financed by The Beatles and where John Lennon met Yoko Ono. Within a few months Gered had already begun to make a name for himself, and he was approached to photograph Marianne Faithful, who had just had a big hit with “As Tears Go By”. Working closely with Marianne he got to know her manager and producer Andrew Loog Oldham. In early 1965, Oldham asked him to photograph the Rolling Stones, who he also managed and produced. This was a major turning point in Gered’s career, because from this first session came the cover for “Out of Our Heads” (U.S. title “December’s Children”), and as a result he was asked by the Stones to go to America with them on their record breaking 1965 autumn tour. During this 9 week (48 city) tour of the U.S. Gered photographed the Stones on stage and off, and got particularly close to Keith and Charlie. There were many adventures as Gered found himself on the road with the greatest Rock band in the world at the peak of their original success. Gered continued working with the Stones as their ‘official’ photographer, producing photos for albums (“Between the Buttons”; “Got Live If You Want It”; “Big Hits”; and several others), press and publicity, taken at home, in the recording studio, on stage and behind the scenes until 1967, when the band broke off with their manager, Oldham. Through the 60’s, Gered continued in the music world working with Oldham at his famous Immediate label, and with many other major artists including Jimi Hendrix, Free, Traffic, The Yardbirds, The Small Faces...

'Kate Bush' SIGNED, LIMITED EDITION Portrait of Kate Bush. Photograph of Kate Bush in red dess, by Gered Mankowitz, London 1979. All Prints are Signed and Limited Edition Prin...

'Eurythmics' SIGNED, LIMITED EDITION 1981 by Gered Mankowitz Portrait of The Eurythmics. Photograph by Gered Mankowitz, Eurythmics, London 1981. All Prints are Signed and Limit...

'Eurythmics' SIGNED, LIMITED EDITION 1978 by Gered Mankowitz Portrait of Generation X. Photograph by Gered Mankowitz, Generation X, London 1978. All Prints are Signed and Limit...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix, London 1967. All Prints are Signed and L...

'Kate Bush' SIGNED, LIMITED EDITION Portrait of Kate Bush. Photographer Gered Mankowitz recalls,’…..the back cover series of portraits that I shot for Lionheart in August 1978. I art directed the album cover and my assistant at the time, Richard Grey...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull recording at Decca Studios in London in 1964. Al...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull, London in 1965. All Prints are Signed and Limi...

'Mick Jagger' SIGNED, LIMITED EDITION Portrait of Mick Jagger. Photograph by Gered Mankowitz of Mick Jagger & Aston Martin DB6, London 1966. All Prints are Signed and Limited Edition Printed later 2020 EXTRA LARGE 40 x 40" inches/ 101 X 101 cm Edition size 50 only GERED MANKOWITZ BIOGRAPHY: Gered Mankowitz was born in London, England, on 3rd August 1946. The first of four sons of the late author, playwright and film writer Wolf Mankowitz and his wife, the Jungian psychotherapist Ann Mankowitz. After an education of sorts at several London co-educational “progressive” schools, he left at 15, avoiding all exams and completed his education devoid of any formal qualifications. Having displayed a natural ‘eye’ for photography whilst on a school trip to Holland and having been inspired to take up photography by the actor Peter Sellers, his photographs were seen by the legendary photographer Tom Blau, who offered Gered an apprenticeship at his famous photo agency, Camera Press Ltd., in London. Over a period of several months Gered worked in all the various departments that made up Camera Press, finally moving to the studio and going on various assignments in and around London. In 1962, Gered went to Barbados with his family and began taking photographs professionally, producing a range of work from architectural studies for the island’s top architect to the first Boeing 707 landing at Bridgetown airport for British West Indian Airways. On returning to London, Gered was offered a chance to go to Paris for the collections, working for the fashion photographer Alec Murray. In spite of the glamour and exciting atmosphere, it was clear that this particular area of work was not for him, and on returning to London he went to work for the ‘show-biz’ portraitist, Jeff Vickers. Gered had already photographed the Bristol Old Vic production of the American musical play “Fiorello” and his photos had been used for the front of theatre display when the show transferred to London’s Piccadilly Theatre. This made him the youngest photographer to have his pictures used in this way; so working for Jeff Vickers gave him an opportunity to develop his ‘show-biz’ contacts and to broaden his experience in the studio, taking portraits of many actors and other personalities. During 1963, Gered met and photographed the singing duo Chad and Jeremy, who had just signed with Ember records. One of these photos was used as the cover of the duo’s first album, “Yesterday’s Gone”, and Gered found himself working in the music industry at a time when it desperately needed new, mould breaking images. He began to work with a new generation of producers like John Barry, Shel Talmy and Chris Blackwell photographing artists who were of his own age group and who felt at ease with him in a way that had not been possible with other photographers. At the end of 1963 Gered opened his first studio, at 9 Masons Yard in the heart of London’s West End. On one side was the infamous disco “The Scotch of St.James”, hangout of the pop glitterati of the time, and on the other the art gallery “Indica”, partly financed by The Beatles and where John Lennon met Yoko Ono. Within a few months Gered had already begun to make a name for himself, and he was approached to photograph Marianne Faithful, who had just had a big hit with “As Tears Go By”. Working closely with Marianne he got to know her manager and producer Andrew Loog Oldham. In early 1965, Oldham asked him to photograph the Rolling Stones, who he also managed and produced. This was a major turning point in Gered’s career, because from this first session came the cover for “Out of Our Heads” (U.S. title “December’s Children”), and as a result he was asked by the Stones to go to America with them on their record breaking 1965 autumn tour. During this 9 week (48 city) tour of the U.S. Gered photographed the Stones on stage and off, and got particularly close to Keith and Charlie. There were many adventures as Gered found himself on the road with the greatest Rock band in the world at the peak of their original success. Gered continued working with the Stones as their ‘official’ photographer, producing photos for albums (“Between the Buttons”; “Got Live If You Want It”; “Big Hits”; and several others), press and publicity, taken at home, in the recording studio, on stage and behind the scenes until 1967, when the band broke off with their manager, Oldham. Through the 60’s, Gered continued in the music world working with Oldham at his famous Immediate label, and with many other major artists including Jimi Hendrix, Free, Traffic, The Yardbirds, The Small Faces...

'Eurythmics' SIGNED, LIMITED EDITION 1986 by Gered Mankowitz Portrait of Eurythmics. Photograph by Gered Mankowitz, Eurythmics, Revenge album cover, Paris 1986. All Prints a...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix, London 1967. More smoke. All Prints are...

'Kate Bush' SIGNED, LIMITED EDITION Portrait of Kate Bush. Photograph of Kate Bush, by Gered Mankowitz, London 1978. All Prints are Signed and Limited Edition Printed later 20...

'Kate Bush' SIGNED, LIMITED EDITION Portrait of Kate Bush. Gered Mankowitz Photograph of Kate Bush for Lionheart, 1978. All Prints are Signed and Limited Edition Printed later ...

Faye Dunaway, 1968 archival pigment print 20 x 16 inches edition of 9

Artist : Helen Graham Title : Excuse Me Materials : Archival Pigment Print Date : 2019 Unframed Photography has always been a way for Helen Graham to express her emotions in a sil...

Title : Debra Materials : Archival Pigment Print Date : 2019 Unframed Photography has always been a way for Helen Graham to express her emotions in a silent way. Through her photos she intends on stirring your imagination and touch your heart. Helen Graham also will show you things that sometimes in our busy world we miss seeing. She intensely focuses on capturing a specific moment while never losing her natural sense for composition. Contemporary Photography, contemporary photographers, still life, still life photography, color photography, cinematography, cinematic, scenic, photography, interior, interior photographs, human from, figurative photography, documentary photography, portrait, hair salon, Cindy Sherman, Hiroshi Sugimoto, Andreas Gursky, Alec Soth, Gregory Crewdson, Rinko Kawauchi, Michael Wolf, Robert Adams, Wolfgang Tillmans, Tina Barney, Richard Mosse, Julie Blackmon, Ren Hang.

Lady in Pink, 1980 Archival pigment print 40 x 30 inches Edition of 10 Robert Farber’s style has influenced generations of photographers. His painterly, ...

Helen Graham "Stand Back", 2018 Inkjet Print on Museo Silver Rag Year: 2019 Dimensions: 12" x 20" inches Unframed Photography has always been a way for Helen Graham to express her e...

David Pugh “Untitled” (from Body Series), 2018 Year: 2019 Archival Inkjet Print on Museo Silver Rag Dimensions: 20 x 15 inches Unframed David Pugh’s photographic work tends to pull ...

David Pugh “Untitled” (from Body Series), 2018 Year: 2019 Archival Inkjet Print on Museo Silver Rag Dimensions: 20 x 15 inches Unframed David Pugh’s photographic work tends to pull ...

"POP" Ingrid Baars X Popovy Sisters 22" x 25" inch Original photography Edition of 12 Dutch Visual Artist Collaborated With Doll Makers To Create Sur...

Untitled (Smoking woman ) Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 $ 9,000.00 40” x 60” (101.6x152.4 cm) Edition of 10 $12,000.00