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Mauricio VelezHalf Angels Half Demons. Cow 3, Zebra 26 and TIger 27, Portraits. Triptych.2008
2008
$6,500
£4,950.46
€5,706.12
CA$9,093.46
A$10,220.44
CHF 5,322.54
MX$124,305.87
NOK 68,108.39
SEK 64,586.82
DKK 42,586.74
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About the Item
Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, disturb, or provoke reflection. His imagery confronts the audience with themes that resonate deeply, encouraging introspection and dialogue. Vélez’s work spans a diverse range of subjects, from fundamental human concerns such as good and evil or life and death, to vivid portrayals of Colombian society through portraits of its most iconic figures.
His socially engaged projects tackle complex issues like violence and conflict, transforming controversial topics into visual narratives that advocate for change. Notable series such as Half Angels, Half Demons and Portraits of Society stand out as pivotal contributions, with the latter becoming a key visual resource for promoting Colombian identity on an international stage.
From the Series The Animals
Individual image size: 29 in. H x 29 in. W
Individual sheet size: 32.5 in. H x 32.5 in. W
Overall triptych size: 32.5 in. H x 97.5 in. W
Edition of 15 + 2AP
- Creator:
- Creation Year:2008
- Dimensions:Height: 32.5 in (82.55 cm)Width: 97.5 in (247.65 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:Large image size: 39.4 in. H x 39.4 in. W (each), Overall triptych size: 39.4 in. H x 118.2Price: $9,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU45334230301
Mauricio Velez
Mauricio Velez was born and lives in Colombia. He has been a photographer for 28 years and was trained at the European Institute of Design in Italy. Since then, he has worked on a very large number of projects in Latin America, the United States and Spain, offering, through his prism, images Velez means to refine the sensitivity and perception of the viewer towards religious icons, art, and the human body, for example, in an attempt to unify them and elevate them to an aesthetic level that can either inspire or disturb, but whose intention is to confront the viewer with an image.
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