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Simon FowlerThe Human League "Mirror Man" 1982 single cover by Simon Fowler1982
1982
$1,200
£906.80
€1,047.13
CA$1,676.82
A$1,860.57
CHF 974.61
MX$22,815.60
NOK 12,396.67
SEK 11,701.93
DKK 7,809.12
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About the Item
Signed limited edition print of The Human League taken by Simon Fowler in 1982. This shot was used for the cover of the single "Mirror Man"
Available in the following sizes:
12 x 17” - open edition
15 x 22” - Edition 35
24 x 33” - Edition 25
Whether through commissioned recording sleeves or official photo sessions, concert and theatre posters, or innumerable magazine covers and national print media featuring Simon Fowler work, he boasts an incredible portfolio.
As principal photographer for British pop magazine Smash Hits at the height of its reign as the standard bearer for all things fashionably pop in the UK throughout the eighties, his signature work represents bespoke visual signposts for some of the biggest selling and most popular recording artists on the planet. Even more remarkable is the vast gamut of British and European cultural genres his photography embraces.
- Creator:Simon Fowler (British)
- Creation Year:1982
- Dimensions:Height: 22 in (55.88 cm)Width: 16 in (40.64 cm)
- More Editions & Sizes:12 x 17” - open editionPrice: $42524 x 33” - Edition 25Price: $1,600
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU1812212041952
Simon Fowler
Whether through commissioned recording sleeves or official photo sessions, concert and theatre posters, or innumerable magazine covers and national print media featuring Simon Fowler work, he boasts an incredible portfolio. As principal photographer for British pop magazine Smash Hits at the height of its reign as the standard bearer for all things fashionably pop in the UK throughout the eighties, his signature work represents bespoke visual signposts for some of the biggest selling and most popular recording artists on the planet. Even more remarkable is the vast gamut of British and European cultural genres his photography embraces. As eighties British music rewrote the manual for infectious pop in all its sublime manifestations, Simon Fowlers lens and imagination experienced a similarly creative joie de vivre. Among so many stand out relationships including shooting the cover for the Christmas 1981 number one (The Human League’s landmark ‘Don’t You Want Me’), was forming a unique long-term relationship with one of rock’s most challenging behemoths… Queen and its charismatic but notoriously guarded singer Freddie Mercury. A high point was being roped in to shoot the band on the fly in and around Queen filming ground-breaking ‘Coronation Street’ housewife video spoof for ‘I Want to Break Free’.
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