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Stefanie Schneider10525 (Stranger than Paradise, ) Edition 8/10 - 5 analog C-Prints1999
1999
$10,000
£7,580.26
€8,850.71
CA$14,007.15
A$15,767.51
CHF 8,341.60
MX$195,576.55
NOK 103,069.41
SEK 98,576.78
DKK 66,030.72
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About the Item
10525 (Stranger than Paradise) - 1999,
Edition 9/10,
5 analog C-Prints, hand-printed by the artist, based on 5 Polaroids.
each 57x56 cm, installed with gaps 57x308cm.
Certificate and Signature label.
artist Inventory No. 338.09.
Not mounted.
The Exhibition shots are taking at Susanne Vielmetter Los Angeles Projects gallery in 2001. The Image show the large size of the series. And 2 Photos with the artist in front of her work.
Stefanie Schneider: A German view of the American West
The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?
Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works.
What is most striking about Schneider's images is the colour which evokes the appearance of expired Polaroid film. Her role in preserving the use of Polaroid is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction.
This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.''
Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider.
This sense of absence runs deep through Schneider's work, the fact she even uses expired film means there is a sense of the unknown. Long before Valencia, Mayfair and Amaro, or any other Instagram filters, Schneider was creating this otherworldliness the image sharing network tries to create.
(Barnebys UK, May 3, 2017)
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1999
- Dimensions:Height: 22.45 in (57 cm)Width: 121.26 in (308 cm)Depth: 0.12 in (3 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652311727822
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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