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Stefanie SchneiderD. and Felix - Contemporary, 21st Century, Polaroid, Figurative Photography1997
1997
About the Item
D. and Felix (Stranger than Paradise) - 1997
Edition of 2/30.
Image size 16 x 21.6 inch,
External dimensions: 17.7 x 23.3 inch.
Archival C-Print, based on the Polaroid.
Mounted with matte UV protection and framed with an oak floater frame.
Signed on back with Certificate.
Artist Inventory No. 142.
Mounted on Dibond, matte UV-lamination
Floater Frame natural oak.
Exhibition history:
Rough Cuts, Susanne Vielmetter LA Projects, Los Angeles (S), 2001
Stefanie Schneider, German Consulate General, Los Angeles, curated by Susanne Vielmetter, USA (S), 1998
publications:
STRANGER THAN PARADISE published by Hatje Cantz Verlag, Ostfilder, 2006, (monography)
Stefanie Schneider: A German view of the American West
The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?
Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1997
- Dimensions:Height: 23.3 in (59.19 cm)Width: 17.7 in (44.96 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652315429222
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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Featuring Heather Megan Christie.
Offered is a piece from the movie: The Girl behind the White Picket Fence
A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in a vintage Spartan travel-trailer.
-filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal (Palms Springs life magazine / Caroline Ryder)
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Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat.
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