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Stefanie SchneiderFelix on Melrose Avenue, LA (California Blue Screen) - analog, vintage print1997
1997
About the Item
Felix on Melrose Avenue, LA (California Blue Screen) - 1997
44x59 cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 147.
Not mounted.
published in STRANGER THAN PARADISE, Hatje Cantz Verlag, Ostfildern, 2006, (monograph)
exhibited: 1998 : California Blue Screen, Büro für Photographie, Stuttgart, Germany (S) /
Stefanie Schneider, Deutsches Generalkonsulat, Los Angeles, curated by Susanne Vielmetter, USA (S) / Californian Consolidation, Galerie Anita Beckers, Frankfurt, Germany (S) / 1999 Stefanie Schneider, Galerie Michael Zink, Regensburg, Germany (S) / 2000 Stefanie Schneider, Kunststiftung Poll, Berlin, Germany (S) / Instant Dreams, Susanne Vielmetter LA Projects, LA, USA (S) / Insight from Outside USA, TZR Galerie, Bochum, Germany (G)
Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.
Schneider works with the chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1997
- Dimensions:Height: 17.33 in (44 cm)Width: 23.23 in (59 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652313435072
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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Artist Inventory No. 3120.02.
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This piece ships in a crate.
Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity.
Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper...
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Certificate and Signature label.
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Kirsten Red Lips (California Blue Screen) - mounted, analog
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