Stefanie Schneider

Free Range (Chicks and Chicks and Sometimes Cocks)

2019

Precious (Chicks and Chicks and Sometimes Cocks) - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Ar...

Caring (Chicks and Chicks and sometimes Cocks) Edition 1/10, 20x20cm, 2019. Digital C-Print, based on a Polaroid. Signature label and Certificate. Not mounted. The 'Chicks and Ch...

Matilda and Susanna (Chicks and Chicks and sometimes Cocks) - 2019 - 20x20cm, Edition of 10 plus 2 Artist Proofs. digital C-Print, based on a Polaroid Artist inventory 22253. Si...

Pas de deux (Chicks and Chicks and sometimes Cocks) - 2017 Edition of 10, 20x20cm, Archival C-Print, based on the Polaroid Artist inventory 20056. Signature label and Certificate...

This image can be custom size, please contact us for more information. About this project: This project emerged from the realities of struggling with an end of a relationship that wa...

This project emerged from the realities of struggling with an end of a passionate yet short-lived relationship. After an emotional breakup, I found myself traveling in the desert wit...

Digital Photo printed with Archival Pigment Inks on Epson Legacy Baryta paper, Framed - orders only & different sizing options available. [25" x 35" Artwork, 31" x 41" x 1" Framed] "She’s soft and delicate like a butterfly contrasted by the dark and jagged woods behind her. She proudly radiates from her feminine soul and isn’t afraid of the darkness." Suzy Raskin...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Victoria Goldman’s twenty-year-long fascination with Tarot has created a series of photographs based on the imagery and the mythology behind the ancient Tarot cards. Each image in the collection is inspired by and named after one of the 22 major archetypes of the Tarot. While photographing and teaching yoga and meditation in India, Hawaii, and throughout Europe, Goldman always made sure to carry a Tarot deck in her backpack. She views Tarot as a tool for personal elevation, helping her direct her focus and better understand her psyche. The collection’s soft focus and figurative emphasis is reminiscent of the work of Francesca Woodman or Julia Margaret Cameron, whom Goldman cites as personal artistic inspirations. The concept behind the exhibition was long thought-out; while some pieces date as recently as two months prior to the exhibition opening, others date as far back as 1999 or 2000. Shot primarily with vintage Polaroid and film with a twin lens Rolleiflex camera, the dark, moody, mythological images recall a classical tone that mirrors the timelessness of the cards themselves. The invitational image, entitled “Wheel of Fortune”, depicts a young woman in a glittering gown, her backside facing the viewer and her body positioned to spin a large carnival wheel hidden in the darkness of the photograph. The high-contrast nature of the image abstracts the gown, morphing the glitter on the dress into drops of light that shine through the dark air. The slender young woman in “Fortune” can be found in several of the collection’s photographs, depicting not just Lady Luck, as in the invitational image, but also the Emperor, the Devil...