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Stefanie Schneider
'Hans and Penelope' from the movie Immaculate Springs - starring Udo Kier

1998

About the Item

'Hans and Penelope' from the movie Immaculate Springs - 1998 - Edition of 10, 20x24cm, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist inventory Number 14003. Not mounted. from the movie 'Immaculate Springs' starring Udo Kier and Jacinda Barrett That’s a compelling quote — "If you want to learn what someone fears losing, watch what they photograph." When applied to Stefanie Schneider’s work, it reveals a rich undercurrent of longing, fragility, and the ache of impermanence. Schneider's Polaroids are drenched in the ephemeral: sun-bleached deserts, abandoned motels, half-glimpsed lovers, wistful stares, and dreamlike stillness. These are not just aesthetic choices — they are emotional records. What she photographs — fleeting light, transient beauty, broken timelines — suggests a fear of losing time itself, along with memory, youth, love, and emotional connection. Her use of expired Polaroid film isn’t nostalgic for the sake of style — it’s a deliberate act of preservation in the face of decay. The film is already breaking down, much like the moments she captures. But instead of resisting that, she embraces it. There’s a tender defiance in her images: If I photograph it now — even as it fades — I can keep it alive a little longer. In that sense, Stefanie may fear losing: Authentic emotional connection, seen in her raw, unguarded portraits. The California dream, which in her work is always both seductive and slipping away. The past, not as it was, but as it felt. Intimacy, in all its forms — romantic, familial, or even self-reflective. Each photograph is like a fragile spell cast against forgetting. They’re not about preserving perfection — they’re about holding onto what’s real, even when it’s broken or about to vanish.

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A piece of art from the feature film movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Ma...
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Lone Pine Motel II (The last Picture Show) 2005, Edition 1/5, 40x40cm each, installed with gaps 40x125cm, Edition of 1/5, analog C-Print, hand-printed by the artist on Fuji Crystal A...
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Early 2000s Contemporary Color Photography

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Daisy and Austen in front of Trailer - based on a Polaroid Original - Proof
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Lovefight (The Princess and her Lover) from 29 Palms, CA
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Archival Paper, Photographic Paper, C Print, Color, Polaroid

Wedding Day V (Till Death do us Part)
By Stefanie Schneider
Located in Morongo Valley, CA
'Wedding Day V' (Till Death do us Part), 2005, 20x24cm, Edition 5/10, digital C-Print print, based on a Polaroid Certificate and Signature label artist Inventory No. 4329.17 not moun...
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Leaving III (Sidewinder) - Polaroid, 21st Century, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Leaving III (Sidewinder) - 2005 60x110cm, Edition of 10. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory No. 3463. Not mounted. Stefanie ...
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Early 2000s Contemporary Portrait Photography

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