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Stefanie SchneiderHans and Penelope (Immaculate Springs) starring Udo Kier and Jacinda Barrett1998
1998
$4,485.99
$8,156.3544% Off
£3,383.26
£6,151.3844% Off
€3,850
€7,00044% Off
CA$6,202.27
CA$11,276.8644% Off
A$6,947.59
A$12,631.9844% Off
CHF 3,649.12
CHF 6,634.7744% Off
MX$84,480.43
MX$153,600.7944% Off
NOK 46,209.83
NOK 84,017.8744% Off
SEK 43,865.55
SEK 79,755.5544% Off
DKK 29,308.72
DKK 53,288.5844% Off
About the Item
Hans and Penelope (Immaculate Springs) - 1998
Edition of 5, plus 2 Artist Proofs.
58x185cm installed,
58x56cm each.
3 Analog C-Prints, hand-printed by the artist, based on the 3 Polaroids.
Signature Label and Certificate.
Artist inventory Number 168.
Not mounted.
from the never released movie 'Immaculate Springs' starring Udo Kier and Jacinda Barrett
In the canon of contemporary art, Stefanie Schneider occupies a territory uniquely her own — where film becomes emotion and light becomes memory. Working with expired Polaroid stock, Schneider orchestrates the alchemy of time, atmosphere, and chance, transforming the mechanical process of instant photography into an elegy of impermanence.
Her desert tableaux — sunburnt, unraveling — defy classification. They are not photographs in the traditional sense; they are psychic landscapes, imbued with a cinematic tension that recalls Antonioni as much as they do the American road movie. Figures drift through ghost towns and dust-blown motels, their narratives suspended, their gestures unresolved. The dream is never explained — only inhabited.
What distinguishes Schneider is not simply her mastery of a disappearing medium, but her refusal to correct or control its decay. The chemical instability of the film is not a flaw, but a collaborator. In embracing entropy, she gives form to what resists permanence: desire, memory, disappearance. Her palette — soft, volatile, fractured — is the chromatic language of longing.
Few artists have so convincingly bridged photography and film, past and present, precision and surrender. Schneider’s work does not ask to be understood. It asks to be felt — viscerally, instinctively — like déjà vu, or the moment just before waking.
It is no exaggeration to say that Stefanie Schneider has changed how we see, and more importantly, how we remember seeing.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1998
- Dimensions:Height: 22.84 in (58 cm)Width: 72.84 in (185 cm)Depth: 0.04 in (1 mm)
- More Editions & Sizes:3x 20x20cm, Edition of 10Price: $1,165
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652316317772
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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Archival C-Print, based on the Polaroid.
Signature Label and Certificate.
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Category
1990s Contemporary Portrait Photography
Materials
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