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Stefanie Schneider
Instructor (Suburbia) - Contemporary, Polaroid, Photography, Portrait

2004

$420.50
£307.93
€350
CA$572.40
A$641.59
CHF 334.06
MX$7,834.10
NOK 4,241.32
SEK 4,020.39
DKK 2,663.61
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About the Item

Instructor (Suburbia) 2004, 20x24cm, Edition of 1/10, digital C-Print based on a Polaroid, not mounted, Signed on verso with Certificate. Artist Inventory No. 1680.01. This project "Suburbia" was shot on the set of Marc Forster's first feature film "Everything put Together' with Radha Mitchell, Michelle Hicks, Megan Mullally, and others. Suburbs collectively, or the people who live in them Suburb { a district, especially a residential one, on the edge of a city or large town } synonyms [Outer edge , Fringes, Periphery, Limits, Outer reaches, Environs ] Stefanie Schneider’s career is more than a collection of images—it’s a universe unto itself. Spanning decades, her work is an immersive experience, a delicate blend of nostalgia, imperfection, and raw emotional storytelling. She embraced Polaroid film just as it was disappearing, not as a fleeting experiment, but as a defining element of her vision. Where others sought digital perfection, she found beauty in unpredictability, turning chemical mutations into a language of their own. Recognition has followed naturally—not through compromise, but through conviction. From exhibitions across Europe and the U.S. to a special mention in Arles, her work has shaped the conversation around contemporary photography. But Stefanie’s art isn’t confined to galleries. It spills into books, into film (The Girl Behind the White Picket Fence), and even into the rhythm of her everyday life on a farm where chickens roam like living installations in a desert landscape. Stefanie’s career is proof that true artistry is not about following trends but creating worlds. She doesn’t manipulate her Polaroids, nor does she bend her artistic principles to fit commercial molds. Instead, she cultivates a deeply personal, evolving narrative that resonates with those who see beyond the surface. Her work isn't just collected—it’s lived with, dreamed into, and remembered. This is what it means to be an artist—not just a creator of images, but a maker of mythologies, a curator of emotion, and a weaver of imperfect, unforgettable dreams. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale 2018. Stefanie Schneider’s Polaroid art ignited a spark in Florian Kaps, revealing beauty in imperfection and inspiring him to save the dying medium. Her ability to create something timeless from the fleeting, unpredictable nature of Polaroid film drove him to found The Impossible Project. Without her work, Polaroid might have been lost to history. Through her lens, she preserved a raw, unpolished truth, proving that art’s power lies not in perfection, but in the fragile moments it captures. Stefanie’s legacy is not just in her images, but in the resurrection of a photographic icon.

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