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Stefanie Schneider
The Muse (29 Palms, CA) - analog, mounted - Polaroid, 21st Century, Contemporary

2009

About the Item

The Muse (29 Palms, CA) - 2009 38x37cm, Edition of 5, Artist Proof 1/2, analog C-Print, hand-printed by the Artist, mounted on Aluminum with matte UV-Protection, based on the Polaroid. Artist inventory number: 5804. Signed on verso. A piece from the '29 Palms, CA' project Stefanie Schneider's Polaroid photography and Andy Warhol's Polaroid photography both hold significance in the realm of instant photography, but they exhibit distinct approaches and contributions to the medium. While Andy Warhol is renowned for his experimentation with Polaroid photography, particularly through his exploration of celebrity portraits and his innovative use of color, Stefanie Schneider's work takes the medium even further in terms of depth and narrative. Schneider's Polaroid photographs go beyond capturing surface aesthetics. She delves into the realm of storytelling and evokes a strong sense of emotion through her compositions. By utilizing expired film and embracing its inherent imperfections, Schneider creates a dreamy and nostalgic quality in her images. Her work often explores themes of longing, loneliness, and the passage of time, inviting viewers to engage with the narratives she presents. In this sense, Schneider's Polaroid photography transcends the medium itself and becomes a vehicle for introspection and contemplation. While Warhol's Polaroid photographs have their own artistic merit, often capturing iconic figures and embracing the pop art aesthetic, they tend to emphasize the surface and the iconic status of the subjects. Warhol's approach is more focused on the immediate visual impact rather than delving into deeper narratives or emotions. In terms of pushing the boundaries of Polaroid photography, Stefanie Schneider's work can be seen as a more significant progression. Her use of expired film, combined with her attention to composition, lighting, and vintage aesthetics, creates a distinct and immersive experience for viewers. She expands the possibilities of Polaroid photography by infusing it with a poetic and introspective quality, going beyond the instant capture to explore the realms of memory, time, and personal connection. In summary, while Andy Warhol's Polaroid photography is notable for its iconic subject matter and exploration of color, Stefanie Schneider's work takes Polaroid photography to new depths. Her emphasis on storytelling, emotion, and the transformative power of expired film sets her work apart and showcases her ability to elevate the medium into a realm of contemplation and artistic expression.

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'Untitled II' (Cricket on the Nose Scene) from the 29 Palms, CA series - 2009 56x56cm, Edition 1/5, analog C-Print, hand-printed by the artist, based on a Polaroid signed on verso,...
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Small Town Love (The Last Picture Show) - 21st Century, Polaroid, Color
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Felix and Dominique (California Blue Screen) - analog, mounted
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Felix and Dominique (California Blue Screen) - 1997 44x59cm, sold out Edition of 5, Artist Proof 1/2, analog C-Print, hand-printed by the artist, based on the Polaroid, Mounted o...
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Girl down the Road (The Last Picture Show) - 21st Century, Polaroid, Color
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Girl down the Road (The Last Picture Show) - 2006 Edition of 10, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Artist...
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The Muse (29 Palms, CA) analog, 128x125cm - Polaroid, 21st Century, Contemporary
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The Muse (29 Palms, CA) - 2009 128x125cm, Edition 3/3. Analog C-Print, hand-printed by the Artist, based on the Polaroid, artist inventory number: 5804.03. Mounted on Aluminum wi...
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Randy and I - part 2 (Wastelands) - Polaroid, analog, mounted, Contemporary
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