Stefanie Schneider

Nothing to Lose (Sidewinder) - Polaroid, 21st Century, Contemporary

2005

Gospel (Sidewinder) - 2005 38x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory No. 3067. No...

Untitled (Cowboys and Angels) – 2005 Edition of 5, plus 2 Artist Proofs 100x60 cm Archival C-Print, based on a Polaroid Certificate and Signature Label Artist Inventory No. 1346 Unm...

Last Chance (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 24104. Signature label and...

Between the Lines - The Getaway (The Last Picture Show) - 1999 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Artist Inventory #694. Signature label and Certificate. Not mounted. Stefanie Schneider's photographs evoke scintillating moments suspended between daydreams and waking reality. Each scene, captured in the southwestern United States, radiates a surreal enchantment. The artist's role appears minimal yet pivotal, providing the decisive impulse that sets the imagery into motion. The figures in her photographs remain as elusive as the motivations behind their actions, and the narratives woven through her sequences are tantalizingly open to interpretation. Atmospheric disturbances in Schneider's work emerge as the result of a deliberate narrative arrangement, compelling viewers to navigate between visual mementos and the gaps in memory they conjure. Yet, her artistry is no less purposeful in its engagement with medium. Despite the inherent unpredictability of expired Polaroid film, Schneider wields it with calculated intent. The photo-chemical self-developing process, altered by age and decay, transforms the initial exposure into something alien yet mesmerizing. This dysfunction is a cornerstone of MIND SCREEN, a multi-part work that explores the fragility of reality, authenticity, and comprehension. Schneider juxtaposes this brittleness with a magical realism steeped in chimeras, crafting dreamlike sequences that resist definitive narratives. She entrusts viewers with the responsibility of piecing together presumed storylines, refusing to offer a manual for interpretation. Instead, her work draws us into a realm where the unreal reigns—shimmering scenes that evoke the mirage of a road movie, a moment of violence, or a tragic self-sacrifice. Film genres are invoked and subverted in a single breath: Paris, Texas by Wim Wenders is reimagined through a rose-tinted lens, Thelma...

Ed. 63/100 Poloroid, 3 3/4 X 2 7/8 In. Signed and numbered by Lucas Samaras on print margin. Published by the Whitney Museum of American Art From book, "Samaras Album"

This is a unique polaroid photograph by Dietmar Busse. Untitled Polaroid 21 2001 Signed and numbered in black ink, verso Polaroid (Unique) 5 x 4 inches, image Contact gallery fo...

Untitled Polaroid 24, Unique Polaroid Self Portrait Photograph by Dietmar Busse Untitled Polaroid 24 2001 Signed and dated in black ink, verso Polaroid (Unique) 5 x 4 inches, ima...

Vintage chromogenic print (negative sandwich) (Edition of 12) Estate stamp in black ink, verso 20 x 16 inches, sheet 12.5 x 12.5 inches, image This artwork is offered by ClampArt, ...