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Stefanie Schneider
Untitled (Traintracks) - based on a Polaroid

2004

$800
£614.32
€704.73
CA$1,124.09
A$1,258.91
CHF 656.88
MX$15,377.10
NOK 8,357.44
SEK 7,877.88
DKK 5,259.28

About the Item

Untitled (Traintracks) - The Last Picture Show - 2004 48x47cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No. 1078. Not mounted. Stefanie Schneider was born and raised in Cuxhaven, Germany but lives and works in Southern California. Exploring the American dream and capturing it with Polaroid instant film. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters that reflect a part of the narrators life told from her perspective. Often about love, communication. sexuality and relationships. Schneider works with the chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction yet they also explore the relationship with the medium and the viewer. The wabi-sabi 'ness' of Schneider's work can not be denied or ignored. It's a step of acceptance of 'flaws', gaps and distortions. Missing pieces of the puzzle. The artist flaunts, uses and exposes the unknown using expired Polaroid instant film intentionally. Presents it. What you do with that is up to you. That missing part of the picture is for you to include yourself, you fill it in with yourself. That might be critical that it's there at all, missing and missing the entire point all together or by filling in the unknown with their own imagination. Even their own memories which then integrates the viewer and artist as one with limitless potential.

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