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Stefanie Schneider
Untitled (Traintracks) - based on a Polaroid

2004

$947.07
£698.20
€800
CA$1,299.35
A$1,459.08
CHF 768.68
MX$18,060.13
NOK 9,516.88
SEK 9,060.48
DKK 6,087.16
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About the Item

Untitled (Traintracks) - The last Picture Show - 2004 50x50cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No. 1064. Not mounted. Stefanie Schneider’s art stands as a testament to the imperfections that make us who we are—the moments of failure, disconnection, and loss that are often ignored by mainstream narratives. It challenges us to accept that we are all works in progress, and perhaps, in doing so, it demands the recognition of these shared human struggles. The ache for acknowledgment in Schneider’s work isn’t just a personal yearning; it’s a universal feeling that transcends time and space, reflecting the collective longing to be seen, understood, and validated. So, in many ways, her work doesn’t merely document; it becomes a vessel for deep emotional connection, a space where we are invited to reflect on our own vulnerabilities and the quiet truths we often leave unspoken. This connection is the heart of her art—one that aches not just for acknowledgment from others, but also for a deeper understanding of oneself in a world that often seeks to define and label us, rather than simply letting us exist as we are.

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Await (The Girl behind the White Picket Fence) - Polaroid
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