Susan Meiselas

Before the show, Turnbridge, Vermont

1974

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7.5 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Meatyard took his definition of romance from The Devil’s Dictionary (1911) compiled by American writer Ambrose Bierce from the satirical pieces he published weekly in the late nineteenth century. The American grotesque of Bierce’s tall tales is here combined with Meatyard’s Surrealist inclinations and the European, particularly French, interest in primitive masks, perhaps with the intention of creating a parody of high art. Rather than sports fans, the stadium benches...

This black and white portrait, taken by Paula Gately Tillman in 1986, is offered by CLAMP in New York City. John Kelly, Backstage, at the Limelig...

Gelatin silver print Signed, titled, dated, and inscribed in pencil, verso 24 x 20 inches, sheet 18 x 18 inches, image This photograph is offered by ClampArt, located in New York City. About the artist: Larry Fink...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

Bakersfield, California, 1983 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later...

East Hampton, New York, 1983 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later ...

People walking alongside puddle at Woodstock in Bethel NY - 1969 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, it's off-off-Broadway actors, troubadours, politicians, Woodstock, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland...

Backstage At The Muppet Show by Arthur Steel Backstage At The Muppet Show – Elstree Studios, England 1978 All prints are hand signed limited editions, no further prints are produc...