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Annie Lennox of Eurythmics Vintage Original Photograph

Gelatin silver print Signed, dated, and numbered (1/25) in black ink, recto 20 x 16 inches, sheet 13.75 x 14 inches, image This photograph is offered by ClampArt, located in New York City. About the artist: Robert Giard is best remembered for his figurative and portrait photography. He received a B.A. from Yale (1961), then an M.A. in Comparative Literature from Boston University (1965). For a time he taught intermediate grades at the New Lincoln School, but by 1972, he began to photograph, concentrating first on landscapes of the South Fork of Long Island, portraits of friends (many of them artists and writers in the region), and nude figures. His most famous work includes formal portraits of significant gay and lesbian authors, including Edward Albee, Allen Ginsberg, David Leavitt, and Michael Cunningham...

Gelatin silver print 16 x 20 inches, sheet This photograph is offered by ClampArt, located in New York City. About the artist: Yvette Marie Dostatni is a Chicago native who has been...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 6.5 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Madelyn Meatyard was an indulgent model. The role her husband usually chose for her was that of mother, posing with one or more of her three children. Here, he stations her before an arched window. The pious atmosphere created by this framing is contradicted by Madelyn’s everyday dress and by the dilapidated Venetian blinds behind her. Unlike a traditional religious icon, this Madonna gazes sternly into space, while her small child stands facing the maternal loins from which she sprang. Many photographers prior to Meatyard—such as Alfred Stieglitz, Edwards Weston and Harry Callahan—had produced series based on their beguiling wives.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), pp. 86-87 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 6.75 x 6.75 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This photograph is found in the portrait section of the Time-Life publication "Photographing Children...