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David HallidayShell (Black & White Still Life Photograph of a White Shell, Framed)2003
2003
$2,900
£2,205.32
€2,543.73
CA$4,062.37
A$4,546.59
CHF 2,374.03
MX$55,468.71
NOK 30,135.22
SEK 28,596.47
DKK 18,995.39
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About the Item
Black and white still life photograph of a white shell on a simple white background
"Shell", photographed by David Halliday in 2003
Sepia toned silver gelatin print, ed. 14/25
19 x 23.5 inches, 25 x 30.25 inches in a custom, white painted wood frame
Excellent condition, ready to hang as is
"Shell" is a framed still life, sepia toned silver print by photographer, David Halliday. The artist focuses on subtle transitions of light and shadow against the simplistic curvature of the white shell. The resting object is photographed against a white background, creating an ethereal and atmospheric affect. The framed still life photo is complemented with a white painted wood frame. It's in excellent condition and ready to hang as is.
About the work:
The designation “still life” implicitly suggests one of the goals of both painters and photographers dedicated to the genre: they want to imbue the inanimate objects they depict with the vibrancy of life despite the immobility of the medium. Like the great painters of still life—Zurbarán, Chardin, Cézanne, Morandi—Halliday charges his fruits, vegetables, and other objects with a poised intensity that intrigues us partly because possible meanings are just out of reach.
David Halliday reaches into his archives of images to compile a selection of both sepia toned photographs mixed with more recent color works; each are iconic representations of the most ordinary objects of everyday life. Together they represent a fading essence of things quintessentially ‘American’. For the artist, beauty and nostalgia are pervasive, but lamentation has its role as well.
About the artist:
David Halliday first gained renown for his sepia-toned silver prints of elegant, meticulously-composed still lifes. His more recent color work maintains the same intimate and simple beauty but also creates a visceral connection for the viewer. Like a painter, he emphasizes volumes, balances, texture and areas of subtle shading. David Halliday sets himself apart from the bulk of contemporary photographic practice in several ways. Along with Aaron Rose and Sally Mann, he is one of the art photographers to have resisted adopting the new digital technology that produces instant color images. He develops his silver gelatin prints by hand, and his only technical departure from the standard black-and-white approach is to tone his pictures with sepia. Doing so connects him with the Photo-Secession movement launched by Alfred Stieglitz just over a century ago, when, in a different context, photographers with serious artistic goals tried to distinguish their work from aesthetically deficient examples of photography dominating the market in that day. Stieglitz’s associates were also trying to equal or surpass the quality of turn-of-the-century painting, which, in 1905, meant avoiding the documentary, signboard realism characteristic of most non-portrait photography of the era immediately preceding them. They wanted to prove that photography was indeed an art, and that its images could embody qualities of design and subtle evocation as successfully as Impressionist painting did.
As painting underwent and reflected the political and technological shocks of the 20th century, art photography, too, moved away from the Photo-Secessionist ideal toward something more startling and abrasive, often serving social causes by documenting human suffering in various parts of the globe. Surrealist photographers stage-managed and manipulated their pictures so as to produce imagery that seemed to belong to the uncanny arena of dreams or nightmares. Halliday, though he recalls the meditative refinement of the Photo-Secessionists, has drawn as well on Surrealist aesthetics to arrive at his imagery.
Born in Glen Cove, New York in 1958, Halliday attended Syracuse University and pursued further studies under the tutelage of Arnold Newman. He has exhibited widely in solo and group exhibitions throughout the United States and Europe. In 2002, the Contemporary Arts Center in New Orleans exhibited a retrospective of his work and in 2012, he exhibited at the Ogden Museum of Southern Art, New Orleans. Halliday’s work is included in numerous public and private collections including the New Orleans Museum of Art; the Museum of Fine Arts, Houston, and the New Britain Museum of Art.
- Creator:David Halliday (1958, American)
- Creation Year:2003
- Dimensions:Height: 25 in (63.5 cm)Width: 30.25 in (76.84 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2277185922
David Halliday
David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing.
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American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States
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In this series, Halliday captures the beauty of 'the ordinary' in still lifes of various objects and vegetation arranged against simple backgrounds. This nautical themed still life of deep purple and white clam shells beside a piece of drift wood is set on a light grey table top against a cream colored wood wall. The subtle color palette extenuates the various textures and gentle shadows cast on the objects.
About the artist:
American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States
Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior view. Halliday was one of the first artists Carrie Haddad began representing when she opened the gallery 27 years ago. Since then he has exhibited nationally and in Europe. He now lives and works in Schodack Landing by way of New Orleans and Nantucket.
Resume
Born 1958, Glen Cove, New York
Lives in Upstate New York
EDUCATION
1998 Penland School of Crafts, Penland, North Carolina
1988 The Maine Photographic Workshops, Rockport, Maine
1976-79 Syracuse University, New York
1974-76 Wooster School Community Art Center, Danbury, Connecticut
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2019 Still Life Like, Carrie Haddad Gallery, Hudson, NY
2018 Group Photography Exhibit, Carrie Haddad Gallery, Hudson, NY
2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA
McMurtrey Gallery, Houston, TX
2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA
2010 Arthur Roger Gallery, New Orleans, LA
Wessel+O’Connor Fine Art, Lambertville, NJ
Julie Heller Gallery, Provincetown, MA
Graficas Gallery, Nantucket, MA
2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX
Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY
2008 Arthur Roger Gallery, New Orleans, LA
Still-Life, Stephen Cohen Gallery, Los Angeles, CA
Carrie Haddad Gallery, Hudson, NY
Watermark Gallery, Houston TX
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