Jerry Freedner

Winter Lambs (Black and White Photograph of White Lambs in a Landscape)

2014

Contemporary black and white landscape photograph of white lambs sleeping under a snow capped tree "Winter Lambs", by Jerry Freedner, 2014 12 x 12 inch inkjet print, 16 x 16 inches in black frame with black mat and non-glare glass This modern black and white, still life photograph of white baby lambs peacefully sleeping under a tree was created by Hudson Valley photographer, Jerry Freedner. The resting lambs' white wool coats compliment the frost covered evergreen branches making for a cohesive intimate winter landscape. Artist Statement: Jerry Freedner In the sixties I studied photography at the New School in NYC, and then with Lisette Model. I've enjoyed many workshops and, through the pre-digital age, thousands of hours in my darkroom. As it was then and as it is now, I have an enduring affinity with nature in all of its forms. Within the last ten years my concerns have shifted to the intense fragility of this earth we share. My work is apolitical yet I hope that it might serve as a vehicle to stir a sense stewardship: to conserve the wonder and beauty about us, which is now fraught with unhappy change and threatened loss. Selected Exhibits: - Carrie Haddad Gallery, Hudson, NY -- Ongoing -- 2013 to Present - Barrett Art Center Members' Show: Poughkeepsie, NY -- 2013 - Scenic Hudson Exhibit (5 venues from Hudson to NYC) -- Ongoing 2012-13 - Riverwinds Gallery - Beacon, NY - 2012 - Black and White Magazine - Image Published in October Issue 2012 - Millbrook Library: Farming -- Fading or Flourishing, Millbrook, NY - 2012 - Columbia County Land - -- Conservancy -- Spencertown Academy Show, Spencertown, NY 2012 - Artswalk Hudson - Hudson, NY - 2012 - Sand Lake Center of the Arts: Ten Year Retrospective, NY - 2012 - Spencertown Academy: Photography in the Landscape, NY - 2012 - Artswalk 2011, Hudson, NY - Columbia County Council on the Arts - Food Show: Hudson, NY - 2011 - Riverwind Gallery, Beacon, NY – 2011 - Barrett Art Center Members' Show: Poughkeepsie, NY - 2011 - Howland Library, Beacon, NY - 2011 - Photo Center of the Capital District: Troy, NY – 2011 - Barrett Art Center “Photowork ’10 National Competition: Image selected by Associate curator Lauren Hinkson of the Guggenheim Museum...

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Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso *Please note there is some wear and tear on the frame as noted in the additional images. The listing is priced accordingly. If you would like the piece to be reframed please contact us and we will provide a discounted rate with our framer here in New York or at our Los Angeles location. Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

"Certains lieux laissés à l’abandon suscitent parfois un certain intérêt dans notre imaginaire. Notamment pour ce qu’ils peuvent charrier de mystères. Ils nous intriguent, excitent notre curiosité. Comme s’ils avaient encore quelque chose à nous dire d’eux. À nous dire de nous. Chargés d’un passé aujourd’hui devenu leur présent, de singulières atmosphères règnent en de tels endroits et nous enjoignent parfois à y pénétrer avec prudence, s’offrant ainsi à quelque visiteur opportun." Basile Ducournau Tirage numérique sur papier Etching Hahnemühle 350g, format 40x60cm, édition sur /10. Possibilité de venir récupérer le tirage directement à la galerie. Le prix...

Photographie format 30*40cm de la série "Clocks and clouds" de Jean-Christophe Béchet, tirée par l'auteur lui-même par impression jet d'encre Fine art, avec de superbes nuances de no...