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Lori Van Houten
Ranunculus: Romantic Still-Life Photograph of Soft Red & Pink Flowers, Framed

2020

About the Item

Romantic still-life photograph of burgundy red and blush pink flowers against a dark background "Ranunculus", made by Hudson Valley based artist, Lori Van Houten, in 2020 pigment print on Moab Entrada rag paper Edition of 1/5 16 x 16 inches unframed, 23 x 23 inches in natural wood frame with non-reflective glass and wiring This romantic still life photograph was shot by Lori Van Houten in 2020. The scene features bunches of burgundy red and pink ranunculus flowers in soft focus. Dark green leaves that fade into into a shadowed background contrast elegantly with the colorful flowers. The still life image is complemented with a dark wood frame with a black 8-ply mat and non-glare glass. The piece is ready to hang as is. About the Artist: My current work consists of large photo-based works on paper. Each print incorporates nature-based photographs produced in camera, combined with selected found imagery to form each multi-layered piece. The work is produced by computer and consists of a complex layering and interacting of images and involves a continual back and forth process of erasing and adding to achieve the final whole. Each piece begins with an underlying image which is generally formed from several related images photographed at the same site. The underlying image is chosen for it’s basic forms and color and often suggests the final feeling of the piece although often all three elements are obscured by the time the work is complete. The underlying photomontage is covered with a textile image that serves as both a concealing and revealing element in the process. These layers are in turn combined with layers of additional photographs, fragments of photographs, herbarium samples and other imagery all interacting to form the final piece. The fabrics are selected for their depiction of botanical subjects and come from historical periods when this work flourished. Some of the series such as Stained Silks include fabrics of the 13th c. from the regions bordering the silk routes. Field Notes incorporates western lace imagery. The herbarium samples generally come from the same regions as the textiles and are often manipulated and used for the purposes of “drawing” on and in the composition. The selection of the various elements and images is both research and the structure on which each piece is built.
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