Archival Paper Still-life Photography
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Style: Contemporary
Medium: Archival Paper
"Knotted Wire Brush", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
Light Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
Price ...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Season" - Southern, football, peaches, still life warm colors
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"Sweat" - Southern, still life photography, conceptual, bacon, clothesline
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"XXX" Southern, trees, landscape, dark, nocturne, light photography
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"Sugarcoat" - Southern, still life photography, chains, conceptual, sugar, dark
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"Cast" - Southern, pearls, black and white, staged photography
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"Played" - Southern, game, staged photography, luck, wish, red, checkers
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"Navigate" - Southern, car, staged photography, abstract, red
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"I am" Black & White Photography 31" x 31" inch Edition of 7 by Olha Stepanian
Located in Culver City, CA
"I am" Black & White Photography 31" x 31" inch Edition of 7 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Not framed. Ships in a tube....
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
Calla Lilies • # 2 of 3 • 84 cm x 59 cm
Located in Aramits, Nouvelle-Aquitaine
Calla Lilies • 2005 • Edition of 18 prints in 3 different sizes.
All prints are numbered and signed. Printed on Hahnemühle Archival Paper.
Three different sizes are available, the ...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Digital Pigment
Tyler Shields - Gator Birkin Monochrome, Photography 2014, Printed After
Located in Greenwich, CT
Series: Indulgence
Silver Gelatin
All available sizes and editions:
18" x 18"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist Proofs
Tyler Shields is a photographer, film dir...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Silver Gelatin
Tyler Shields - Burning Birkin, Photography 2012, Printed After
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
30" x 40"
48" x 72"
63" x 84"
Editions of 3 + 2 Artist Proofs
Tyler Shields...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Birkin Stack, Photography 2022, Printed After
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
All Editions of 3:
30" x 25"
40" x 30"
60" x 50"
72" x 57"
84" x 67"
Tyler ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Warhol Paint Brushes, Photography 2017, Printed After
Located in Greenwich, CT
Series: Masters
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3
Tyler Shields is ph...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Painted Chanel Bottle 1955, Photography 2021, Printed After
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist Proofs
...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Sunflower, Photography 2019, Printed After
Located in Greenwich, CT
Series: Flowers
Chromogenic Print on Kodak Endura Luster Paper
Available Sizes:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Edition of 3 + 2 Artist Proofs
Tyler Shields is pho...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Bunnies Silhouette, Photography 2020, Printed After
Located in Greenwich, CT
This is one of most fun series I've ever made, and it's not without its challenges, I worked for months testing the exact camera, film, and light combination to create a texture and ...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Touch, Photography 2020, Printed After
Located in Greenwich, CT
This is one of most fun series I've ever made, and it's not without its challenges, I worked for months testing the exact camera, film, and light combination to create a texture and ...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - PRADA, Photography 2020, Printed After
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
15" x 20"
32" x 40"
48" x 60"
54" x 72"
63" x 84"
Editions of 3 + 2 Artist Proofs
...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Pollination, Photography 2019, Printed After
Located in Greenwich, CT
Series: Flowers
Chromogenic Print on Kodak Endura Luster Paper
Available Sizes:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Edition of 3 + 2 Artist Proof
Stubbornness hurts th...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - GUCCI, Photography 2020, Printed After
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
15" x 20"
22.5" x 30"
30" x 40"
45" x 60"
56" x 72"
63" x 84"
Editions of 3 + 2 Ar...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Identity, Photography 2020, Printed After
Located in Greenwich, CT
Series: Historical Fiction
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Rolls Royce, Photography 2015, Printed After
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist Proofs
...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - HERMES, Photography 2020, Printed After
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
15" x 20"
22.5" x 30"
30" x 40"
45" x 60"
56" x 72"
63" x 84"
Editions of 3 + 2 Ar...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Mona Lisa, Photography 2018, Printed After
Located in Greenwich, CT
Series: Masters
Chromogenic Print on Kodak Endura Luster Paper
Available sizes:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Edition of 3 + 2 Artist Proofs
They say it took 4 ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Silhouette, Photography 2020, Printed After
Located in Greenwich, CT
Series: Silhouette
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist Proofs
...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Umbrella Silhouette II, Photography 2020, Printed After
Located in Greenwich, CT
Series: Umbrella Silhouette II
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
15" x 20"
22.5" x 30"
30" x 40"
45" x 60"
56" x 72"
63" x 84"
Editions...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Legs Up Silhouette, Photography 2020, Printed After
Located in Greenwich, CT
Series: Legs Up Silhouette
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Tyler Shields - Glitter Champagne, Photography 2019, Printed After
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18" Editions of 3 + 2 Artist Proofs
30" x 30" Editions of 3 + 2 Artist Pro...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
Zebra Kili
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Photographic Film, Archival Paper, Photographic Paper, Photogram, Pigmen...
Untitled (from the "Provincetown" portfolio)
By Jack Pierson
Located in New York, NY
Chromogenic print on Fujiflex Super Gloss Crystal Archive paper (Edition of 25)
Signed, dated, and numbered in black ink, verso
This artwork is offered by ClampArt, located in New York City.
Jack Pierson was born in 1960 in Plymouth, Massachusetts, and educated at the Massachusetts College of Art in Boston. Pierson's work spans an array of media, including photographs, collages, word sculptures, installations, drawings, and artist's books. He is considered to be part of a group of photographers known as the Boston School, which includes David Armstrong, Philip-Lorca diCorcia, Nan Goldin, Mark Morrisroe, and Doug and Mike Starn...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, C Print
The Dating Game
By Helen Graham
Located in Kansas City, MO
Helen Graham
"The Dating Game", 2018
Inkjet Print on Museo Silver Rag
Year: 2019
Dimensions: 20" x 13" inches
Unframed
Photography has always been a way ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"World Cup", 1999
By Steve Miller
Located in Hudson, NY
In this specific use of X-ray, Miller creates a collage-like composition that renders 3-D objects into 2-D space. The soccer ball floats as light as an orb or bubble, suspended among...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Glass", 2008
By Steve Miller
Located in Hudson, NY
In this X-Ray photograph, Miller gives viewers an interior view of orchard bulbs. The use of X-ray allows for a stark contrast between light, transparency and dark, solid objects.
...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Tulips", 1995
By Steve Miller
Located in Hudson, NY
A lovely bundle of tulips takes on a skeletal quality in this X-ray photograph by Steve Miller. The delicate, transparent petals of the tulip flowers are contrasted by the wiry const...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Lady Slipper", 2006
By Steve Miller
Located in Hudson, NY
"Lady Slipper" by Steve Miller beautifully captures the effervescent qualities of this potted plant through its X-ray. The leaves of the flower look like ...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Sunflower", 1995
By Steve Miller
Located in Hudson, NY
While all photography arrests motion, it is only the X-ray that allows us to climb inside a particular moment and subject and parse the structure of its beauty from within.
Miller’...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Orchid Architecture", 2008
By Steve Miller
Located in Hudson, NY
By reducing three dimensional objects into highly contrasted forms, Miller gives viewers a new perspective of the orchid flower. The varying stem sizes and delicate petals create a d...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Clarinet", 1997
By Steve Miller
Located in Hudson, NY
While all photography arrests motion, it is only the X-ray that allows us to climb inside a particular moment and subject and parse the structure of its beauty from within. Miller’s ...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Pods", 2008
By Steve Miller
Located in Hudson, NY
The use of X-ray photography in "Pods" gives the seed pouches and stems a skeletal appearance.
While all photography arrests motion, it is only the X-ray that allows us to climb in...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Pineapple", 2008
By Steve Miller
Located in Hudson, NY
In this photograph, Miller's X-ray photography renders the familiar form of a pineapple as an indescribable, unfamiliar, subject.
While all photography arrests motion, it is only t...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
Archival Paper still-life photography for sale on 1stDibs.
Find a wide variety of authentic Archival Paper still-life photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add still-life photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of red, purple, orange, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Chad Kleitsch, Tyler Shields, Ian Sanderson, and Stefanie Schneider. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper still-life photography, so small editions measuring 0.5 inches across are also available Prices for still-life photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $48 and tops out at $185,000, while the average work can sell for $2,200.