2010s Still-life Photography

The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their personalities. Tapes are significant in both their live...

Rebecca Skinner’s “Showtime” was photographed in an abandoned mansion in the Catskill Mountains of New York. A vintage television sits on top of a table in the middle of a hallway. T...

Graphical balance - Signed limited edition archival pigment print, 2017 - Edition of 5 South Africa 2017 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted) : 70 x 100 cm / 27.55 x 39.37 in. - Edition of 5 100 x 150 cm / 39.37 x 59.05 in. - Edition of 5 Olivier Borde...

Mooncake I and II, Diptych, 2020 by Shine Huang Archival pigment print on Hahnemuhle fine art paper. Overall size: 20 in. H x 40 in. W Individual size: 20 in. H x 20 in. W Edition 1/...

"Covid Vanitas: The Pandemic Still Lifes" On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual ...

Montura, 2023 by Ricky Cohete From The series Horse and Dancer Archival Pigment print Image size: 36 in. H x 24 in. W Edition of 10 Unframed Black and Wh...

Atlanta High Museum, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unfr...

Heidler & Heeps Vinyl Collection Set of Three Framed Artworks. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have coll...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

The colorful photographs by Spanish artist Leticia Felgueroso (1963) have a modern and layered, but at the same time traditional, character. With a ...

Desert Eagle Digital C-Print / Archival Pigment Print Available sizes: 36 x 72 in - Edition of 20 48 x 96 in - Edition of 10 In Point Blank, Lusztyk’s magnification of handguns at o...

This is a framed archival pigment photograph depicting an abstract still life with antique green irons and bright red plum tomatoes, printed on Hahnemuhle Photo Rag 308 gsm by artist...

This is a framed archival pigment photograph depicting an abstract still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. The leading actor in this three-part drama ...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Flower Beetles' is a stunning C-Type print by contemporary British photograph...

This is a framed archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnem...

This is a framed archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnem...

This is a framed archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnem...

This is a framed archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnem...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Nautical color still life photograph of colorful fishing bobbers on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size ...

The photography of Carla van de Puttelaar allows the eye to touch the skin on many different levels. Through her lens, she makes the viewer aware of the sensitivity and the sensualit...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 What makes Burdeny’s Cuba series different fro...

This is an exclusive handprinted limited edition cyanotype of a beautiful palm leave. Details: + Title: Tropical Palm Branches + Year: 2024 + Edition Size: 20 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

'Untitled' from the Dwell Series, 2017, Edition 1/10 plus 2 Artist Proof, 24x20cm. Art Print based on an original Polaroid photograph on Hahnemuhle photo rag paper, not mounted. Si...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

David Pugh Untitled Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age resista...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

This is a framed archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnem...

Lord Fauntleroy Wisc 1709-02-03 Pigment Print Year: 2017 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 9 COA provided *Natural wood frame with st...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their personalities. Tapes are significant in both their live...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Hunter Street/Martin Luther King JR. Drive, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

'TV Capsule' Castelloland 27.5 in. H x 19.6 in. W Edition of 1/3 Digital photographs on glossy pearlescent paper 2015 _______________________ Paloma Castello born 1988 Bogotá, Colo...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

Untitled.20, 2021 by Salvatore Arnone From Paranoia series Digital print on Hahnemuhle Photo Rag Ultra Smooth Image size: 50 in. H x 35 in. W Edition of 3 + 1AP Unframed Paranoi...

" Macaw #9 ” - Signed limited edition archival pigment print - Edition of 10 The iconic Blue and Gold Macaw is a sociable and playful large pa...

Lord Fauntleroy ILL 1408-08-173 Pigment Print Year: 2014 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with stand...

Peachtree Street, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed ...

'Kosmotropia' 2016, Edition 1/10 plus 2 Artist Proofs. 60 × 46 × 0.8 cm. Digital Print based on collage with Lumen print, mounted under Plexi. Signed on verso with Certificate. Uriz...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

'Tinted Oval Window Cassette' from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’ personal...

Whoopee! from Richard Heeps series 'In The Treasure Trove', featuring the multicolour spines of the iconic children's Annuals, photographed in a vintage bookshop...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

6002, 2022 by Salvatore Arnone From the ONE series Photographic print on Hahnemuhle paper Paper size: 105 H x 86.5 W cm. Printed area: 61.5 H x 43 W cm. Edition of 3 Unframed Despit...

Untitled #3. From the series "There is an ocean in my glass", 2020 by Ying Chen Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed There Is An Ocean In My Glass I have a reoccurring dream: scenery consisting of cloud filled Sky, fields of grass, and a body of water. In this foggy but colorful dream, sky is cloudy, yet everything is brightly lit. there is a thick fog blurring vision that I cannot discern whether it is imagined or familiar scenes.I wanted to capture in photos how small flower cuttings...

Terminal Station/Rusell Federal Building, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edit...

Alabama Street, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed The artwork employs collage to fuse the ornate features of traditional architecture with stark modernist geometry. This duality within the piece highlights the city's journey through time, symbolizing the transformation from its historic roots to its contemporary identity. The interplay of shapes and the layering of eras challenge the viewer to consider the narrative of change and continuity in the city's evolution, emphasizing that in the midst of progress, fragments of the past persist, creating a rich tapestry of history and modernity. _____________ Ying Chen was born in Tokyo, Japan, to Chinese parents living in Japan. She grew up and spent her early childhood in Japan until the age of seven, then spent her youth in China. Now Chen has graduated from SCAD with her bachelor's degree and is currently enrolled in the SCAD graduate photo department. Since 2018, her focus has been on photo collages. Using a collection of photos...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

Abstract still life photograph of yellow flowers against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic on four panels Edition 3/12, 36 x 45....

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...