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Sander VosIn Between the shadows
$2,328.67
£1,700
€1,994.42
CA$3,189.81
A$3,557
CHF 1,855.89
MX$43,645.69
NOK 23,622.52
SEK 22,381.82
DKK 14,885.07
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About the Item
In Between the Shadows 3
Giclee Print on Hahnemuhle Pearl Fine Art Paper
Print Size: 37x 30cm , Framed: 44 x 37 cm
Edition of 7 + 2 AP, Currently available of the edition: 5-7
The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement.
The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions.
Sander Vos (b. 1988, The Netherlands) is a photographer based in London.
His work contains an element of Surrealism, blending Fine Art with Portraiture.
Vos sets out to veil as much as to reveal, leaving gaps for the viewer to fill in. Inspired by his background in Design, he embraces light and contrast as devices to carve out his graphic compositions.
Vos’s work has been exhibited and recognised internationally. He was recently announced as Fine Art Photographer of the Year 2023 by the Paris Photo Prize and the reFocus Awards.
- Creator:Sander Vos (1988, Holland)
- Dimensions:Height: 11.82 in (30 cm)Width: 14.57 in (37 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1967213877702
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View AllIn Between the Shadows
Located in London, GB
The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement.
The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions.
Sander Vos...
Category
2010s Cubist Still-life Photography
Materials
Photographic Paper, Black and White, Archival Pigment
In Between the Shadows, #Cubist, Custom Framed with antireflective Art Glass
Located in London, GB
Artist Name : Sander Vos
Width (cm) x Height (cm): 30 x 21Year : 2021Edition : Edition of 7 + 2 AP
Medium :
Photography, Print
Description:
The series ‘In ...
Category
2010s Cubist Still-life Photography
Materials
Color, Archival Pigment, Black and White, Photographic Paper, Archival P...
#396, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#396, 2016
Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame)
Image size: 40.6 x 30.5 cm
Framed: 58 x 49 cm
Unique
Series: The Self Representation of Light
Signed and dated in pen on verso
© Michael Jackson
The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting.
After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms.
"I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...
Category
2010s Abstract Black and White Photography
Materials
Photographic Paper, Black and White, Photogram, Silver Gelatin
The Self Representation of Light #412, 2 x Luminograms as one work
Located in London, GB
It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades.
This piece is something very special... two Luminograms in one work of...
Category
2010s Abstract Expressionist Abstract Photography
Materials
Black and White, Photogram, Silver Gelatin, Glass, Oak, Archival Paper
Flowers, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#473 FLOWERS, 2016
Luminogram, Silver Gelatin Print
Print size: 30.5 x 40.6 cm
Framed: 49 x 58 cm
Frame with the classic museum style mount board and black frame/ Print can be shipped unframed - options available with more shipping prices available - please message us for more info/
This is a Unique piece
Series: The Self Representation of Light
Signed and dated in pen on verso, Certificate of Authenticity provided
The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting.
"I don't really see photography and pottery or painting or music to really be different to each other. Some are more immediate, some are more subtle. Music seems to be able to control emotions, photography seems to create a satisfying pleasure from just a tonal flat surface. Same with painting. One of the biggest mysteries for me is why all these things manage to control us in some way." - Michael G Jackson...
Category
2010s Abstract Geometric Black and White Photography
Materials
Archival Paper, Photographic Paper, Black and White, Photogram, Silver G...
ATO>MIC #10, Unique Silver Luminogram Print, Abstract geometry in warm tones
Located in London, GB
ATO>MIC #10, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: custom made frame with anti-reflective art glass
Print size: 23 x 18 cm
Framed: 38 x 35.5 cm
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
Certificate of Authenticity provided
"At first glance the viewer may only see geometric spherical shapes with added lines and rectangles on tea toned Silver Gelatin paper. "The supremacy of pure artistic feeling" rather than the visual depiction of objects assign to the art movement of Suprematism comes to one's mind. Similarly, like a giant of abstract art Kasimir Malevich, Jackson wants the viewer to look further, deeper than one might usually.
The feeling of 'sensation' of the ATO>MIC prints, the sharpness of the forms, the intensity defying its size to condensed 9 x 7 inches' paper, make it all the more dramatic to look at. It takes the viewer to another level of fantastical world of creation."
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G...
Category
2010s Abstract Geometric Black and White Photography
Materials
Archival Paper, Black and White, Silver Gelatin, Photogram
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