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Stefanie SchneiderArtificial Flowers II - Contemporary, Landscape, Polaroid, expired, 21st Century1999
1999
$961.28
$1,747.7944% Off
£724.98
£1,318.1544% Off
€825
€1,50044% Off
CA$1,329.06
CA$2,416.4744% Off
A$1,488.77
A$2,706.8544% Off
CHF 781.96
CHF 1,421.7444% Off
MX$18,102.95
MX$32,914.4544% Off
NOK 9,902.11
NOK 18,003.8344% Off
SEK 9,399.76
SEK 17,090.4744% Off
DKK 6,280.44
DKK 11,418.9844% Off
About the Item
Artificial Flowers II (Suburbia) - 1999
50x60cm,
Edition of 1/10.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface,
based on the Polaroid,
Signature Label and Certificate,
artist inventory number: 216.01,
not mounted.
Hand printed by the artist in her East Berlin analog 'labudio' laboratory.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale 2018, 2019.
In the canon of contemporary art, Stefanie Schneider occupies a territory uniquely her own — where film becomes emotion and light becomes memory. Working with expired Polaroid stock, Schneider orchestrates the alchemy of time, atmosphere, and chance, transforming the mechanical process of instant photography into an elegy of impermanence.
Her desert tableaux — sunburnt, unraveling — defy classification. They are not photographs in the traditional sense; they are psychic landscapes, imbued with a cinematic tension that recalls Antonioni as much as they do the American road movie. Figures drift through ghost towns and dust-blown motels, their narratives suspended, their gestures unresolved. The dream is never explained — only inhabited.
What distinguishes Schneider is not simply her mastery of a disappearing medium, but her refusal to correct or control its decay. The chemical instability of the film is not a flaw, but a collaborator. In embracing entropy, she gives form to what resists permanence: desire, memory, disappearance. Her palette — soft, volatile, fractured — is the chromatic language of longing.
Few artists have so convincingly bridged photography and film, past and present, precision and surrender. Schneider’s work does not ask to be understood. It asks to be felt — viscerally, instinctively — like déjà vu, or the moment just before waking.
It is no exaggeration to say that Stefanie Schneider has changed how we see, and more importantly, how we remember seeing.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1999
- Dimensions:Height: 19.69 in (50 cm)Width: 23.63 in (60 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652316318082
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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